The ghosts wouldn’t like it . . . I heard it again in Maddie’s reedy little voice and shook my head. Ghosts. How absurd. Just folktales and rumors, and a sad old man, living here after the death of his child.
It was more for want of anything else to do that I opened up my phone and typed in “Heatherbrae House, child’s death, poison garden.”
Most of the early results were irrelevant, but as I scrolled down and down, I came at last to a local-interest blog, written by some sort of amateur historian.
“STRUAN—Struan House (now renamed Heatherbrae), near Carn Bridge in Scotland, is another curiosity for garden historians, being one of the few remaining poison gardens in the United Kingdom (another being the famous example at Alnwick Castle in Northumberland). Originally planted in the 1950s by the analytical chemist Kenwick Grant, it is thought to feature some of the rarest and most poisonous examples of domestic plants, with a particular focus on varieties native to Scotland. Sadly, the garden was allowed to fall into disrepair after the death of Grant’s young daughter, Elspeth, who died in 1973, age eleven, having, according to local legend, accidentally ingested one of the plants in the garden. Although in its day occasionally open to researchers and members of the public, Dr. Grant closed the garden completely after his daughter’s death, and after he himself passed away in 2009, the house was sold to a private buyer. Since the sale, Struan has been renamed Heatherbrae House, and it’s believed that it has been the subject of extensive remodeling. It is unknown what remains of the poison garden, but it is to be hoped that the current owners appreciate the historical and botanical importance of this piece of Scottish history and maintain Dr. Grant’s legacy with the respect it deserves.”
There were no photographs, but I returned to Google and typed in “Dr. Kenwick Grant.” It was an unusual name, and there were few results, but most of the pictures that came up seemed to be of the same man. The first was a black-and-white picture of a man aged perhaps forty, with a neatly clipped goatlike beard and small wire-framed spectacles, standing in front of what looked like the wrought iron gate of the walled garden where Maddie, Ellie, and I had entered the day before. He was not smiling, his face had the look of one that didn’t smile easily, with an expression naturally serious in repose, but there was a kind of pride in his stance.
The next photograph made a sad contrast. It was another black-and-white shot, recognizably the same man, but this time Dr. Grant was likely in his fifties. His expression was totally different, a distorted mask of emotion that could have been grief, or fear, or anger, or a mix of all three. He seemed to be running towards an unseen photographer, his hand outstretched, either to push the camera away or shield his own face, it was not clear which. Behind the goatlike beard his mouth was twisted into a snarling grimace that made me flinch, even through the tiny screen, and the passage of decades.
The final photograph was in color, and it was a shot that seemed to have been taken through the bars of a gate. It showed an elderly man, stooped and bent, wearing a buff overall and a wide-brimmed hat that shaded his face. He was extremely thin, to the point of emaciation, and leaning on a stick, and his glasses were thick and fogged, but he was staring fiercely at the person taking the photo, his free hand upraised in a bony fist, as though threatening the viewer. I clicked on the picture, trying to find out the context for the shot, but there was none. It was just a Pinterest page, with no information on where the picture had been found. Dr. Kenwick Grant, the caption read, 2002.
As I closed down the phone, my overwhelming emotion was a kind of desperate sadness—for Dr. Grant, for his daughter, and for this house, where it had all happened.
Unable to sit in silence with my thoughts any longer, I got up, put the baby monitor in my pocket, and, grabbing a ball of caterers’ string from the drawer by the cooker, I left the house by the utility room door, tracing the path the girls had shown me the day before.