Tunnel of Bones (City of Ghosts) - Victoria Schwab Page 0,2

art, and culture, and history.”

“Well,” starts Dad, “I’m a historian and—”

But Mom puts a hand on his shoulder, as if to say, This isn’t a fight worth having.

The woman at the desk gives us our keys. In that moment, Jacob succeeds in nudging the beverage cart and sends a china cup skating toward the edge. I reach out, steadying the cup before it can fall.

“Bad ghost,” I whisper.

“No fun,” answers Jacob as we follow my parents upstairs.

Back in Scotland, people talked about ghosts the way you might talk about your weird aunt or that odd kid in your neighborhood. Something out of place, sure, but undeniably there. Edinburgh was haunted from its tip to its toes, its castle to its caves. Even the Lane’s End, the cute little bed-and-breakfast where we stayed, had a resident ghost.

But here, in the Hotel Valeur, there are no dark corners, no ominous sounds.

The door to our room doesn’t even groan when it swings open.

We’re staying in a suite, with a bedroom on each side and an elegant sitting room in between. Everything is crisp, clean, and new.

Jacob looks at me, aghast. “It’s almost like you want it to be haunted.”

“No,” I shoot back. “It’s just … strange that it’s not.”

Dad must have heard me because he says, “What does Jacob think about our new digs?”

I roll my eyes.

It comes in handy, having a ghost for a best friend. I can sneak him into the movies, I don’t have to share my snacks, and I never really get lonely. Of course, when your BFF isn’t bound by the laws of corporeality, you have to lay down some ground rules. No intentional scaring. No going through closed bedroom or bathroom doors. No disappearing in the middle of a fight.

But there are drawbacks. It’s always awkward when you get caught “talking to yourself.” But even that’s not as awkward as Dad thinking Jacob is my imaginary friend—some kind of preteen coping mechanism.

“Jacob is worried he’s the only ghost here.”

He scowls. “Stop putting words in my mouth.”

I set Grim free, and he promptly climbs on top of the sofa and announces his displeasure. I’m pretty sure he’s cursing us for his most recent confinement, but maybe he’s just hungry.

Mom pours some kibble into a dish, Dad sets about unpacking, and I drop my stuff in the smaller of the two bedrooms. When I come back out, Mom has thrown open one of the windows and she’s leaning out on the wrought-iron rail, drawing in a deep breath.

“What a beautiful evening,” she says, ushering me over. The sun has gone down, and the sky is a mottle of pink, and purple, and orange. Paris stretches in every direction. The Rue de Rivoli below is still crowded, and from this height, I can see beyond the trees to a massive stretch of green.

“That,” says Mom, “is the Tuileries. It’s a jardin—a garden, if you will.”

Past the garden is a large river Mom tells me is called the Seine, and beyond that, a wall of pale stone buildings, all of them grand, all of them pretty. But the longer I look at Paris, the more I wonder.

“Hey, Mom,” I say. “Why are we here? This city doesn’t seem that haunted.”

Mom beams. “Don’t let looks fool you, Cass. Paris is brimming with ghost stories.” She nods toward the garden. “Take the Tuileries, for instance, and the legend of Jean the Skinner.”

“Don’t ask,” says Jacob, even as I take the bait.

“Who was he?”

“Well,” Mom says in her conversational way, “about five hundred years ago, there was a queen named Catherine, and she had a henchman named Jean the Skinner.”

“This story,” says Jacob, “is definitely going to end well.”

“Jean went around dispatching Catherine’s enemies. But the problem was, as time went on, he learned too many of the queen’s secrets. And so, to keep her royal business private, she eventually ordered his death, too. He was killed right there in the Tuileries. Only when they went back to collect his body the next day, it was gone.” Mom splays her fingers, as if performing a magic trick. “His corpse was never found, and ever since, all throughout history, Jean has appeared to kings and queens, a portent of doom for the monarchs of France.”

And with that, she turns back to the room.

Dad’s sitting on the sofa, his show binder open on the coffee table. In a display of almost catlike behavior, Grim wanders over and scratches his whiskers on the corner of the binder.

The

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