Tails of Wonder and Imagination - By Ellen Datlow Page 0,239

touch against his cheek was a heart stopped, her voice in his ear a thought to fill immensity. They went indeed to visit with the sixty contending winds, who traded them wine for their baubles brought out of the world, giving a manna-sweet drink called Ring-Bo-Ree for little rings from the noses of pigs or unfinished paintings thrown discarded into the sea, or perhaps for the occasional runcible spoon. They sailed into the shifting thickness beyond the edge of things and were drawn into the sky by fiery birds and dreamed beside the islands of the sun and the night river. And—who knew?—sieves sink more slowly then one might suppose. At least sometimes, when the wind is right to hold them up, perhaps, or, perhaps when one moves too fast to notice one is sinking.

Old Foss had come after him, hiding in the rigging, or under the bundles to trade, watching and waiting.

And one day when the water of night came in too high and no one was left to bail it out and it was too late by far, Old Foss whispered in the Old Man's ear as he dreamed: "Time to come home, for the water's rising. Time to wake up, now or never. Time to dream a little less and live a little more, old friend," and a partial payment on a debt never to be repaid was made.

"Thank you," the Old Man said, when awake and in his bed again, "for surely I would have drowned."

And yet, something was taken from the Old Man too, something taken that can never be returned—what the Jumbly Girl meant to him—and for that there was a new debt, never to be repaid.

"Why did you bother me," the Old Man would say at other times, when the confusion came to him, "why didn't you leave me to drown in peace, in bliss of other things, with my Jumbly Girl?"

For they had tried to keep him:

"Stay," they had told him, despite the rising water, the leaking of the sieve. "Stay and dream with us."

"Come with me," he had said to his Jumbly Girl, "come with me and be my love; we will think of things to do to pass the time, though it will not be this—we will paint unfinished pictures by the shore and hold hands inside the rain. I will write you poems and you will tell bad jokes. It's not this but isn't it something?"

And she agreed to come with him, to meet him in the morning, by the shore of everything, below the sun, beside the night, where the sky birds came to draw them home by silver cords in their fiery beaks, on a raft made of fronds from the Twangum Tree; he and Old Foss waited for her to come from the sieve as it sank in the river of night, but she did not appear.

Somehow, it seemed, in stepping from the sieve to the shore to the raft, he had misplaced her; when he had turned back to hold out his hand and help her out, she was gone.

She never reappeared. And the Jumblies disappeared from the sieve with the morning light, like fog retreating into the sea, but with an ache like when you remember what you thought the world was going to be like when you were young and foolish.

"Come on, Old Man," Old Foss had said, "the sieve is sinking fast."

"Will I ever see her again?"

There is no answer to such questions and he offered none, but the Old Man asked it again, asked it so many times over the years that Old Foss finally said, "I'm sorry, Old Man."

"Oh, I know, it's all right, Old Foss."

But it wasn't.

Old Foss leapt from roof to roof like a young cat with nothing to lose, not a fat old cat with everything at stake. The rain had depressed him, then frustrated him, then made him ironic and bitterly elated. He sang: "How many lives, how many lives, how many more lives for the cat? At least one more, at least one more, and another one after that!" as he leapt across an alleyway and scrabbled onto the roof on the other side. When he reached the edge of town he climbed quickly, nosily, awkwardly down a drainpipe full with leaking water rushing. Leaping off the pipe, he landed badly, quickly looking around, licking his shoulder uselessly in the rain, and walking with what dignity he could muster toward the shore, his orange and

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