he could not even wait to finish his sentence. I got up and went to the shelf where, in recent months, I had taken to keeping a bottle of whiskey tucked behind my bust of Daniel Webster. Carrying the bottle and a dusty glass back to my desk, I sat down and tried to reconcile myself to the thought that I was confronted—not, alas, for the first time in my tenure as chief law-enforcement officer of Yuggogheny County—with a crime whose explanation was going to involve not the usual amalgam of stupidity, meanness, and singularly poor judgment but the incalculable intentions of a being who is genuinely evil. What disheartened me was not that I viewed a crime committed out of the promptings of an evil nature as inherently less liable to solution than the misdeeds of the foolish, the unlucky, or the habitually cruel. On the contrary, evil often expresses itself through refreshingly discernible patterns, through schedules and syllogisms. But the presence of evil, once scented, tends to bring out all that is most irrational and uncontrollable in the public imagination. It is a catalyst for pea-brained theories, gimcrack scholarship, and the credulous cosmologies of hysteria.
At that moment, there was a knock on the door to my office, and Detective Ganz came in. At one time I would have tried to hide the glass of whiskey, behind the typewriter or the photo of my wife and son, but now it did not seem to be worth the effort. I was not fooling anyone. Ganz took note of the glass in my hand with a raised eyebrow and a school-marmish pursing of his lips.
“Well?” I said. There had been a brief period, following my son’s death and the subsequent suicide of my dear wife, Mary, when I had indulged the pitying regard of my staff. I now found that I regretted having shown such weakness. “What is it, then? Has something turned up?”
“A cave,” Ganz said. “The poor bastard was living in a cave.”
The range of low hills and hollows separating lower Yuggogheny from Fayette County is rotten with caves. For many years, when I was a boy, a man named Colonel Earnshawe operated penny tours of the iridescent organ pipes and jagged stone teeth of Neighborsburg Caverns, before they collapsed in the mysterious earthquake of 1919, killing the Colonel and his sister Irene, and putting to rest many strange rumors about that eccentric old pair. My childhood friends and I, ranging in the woods, would from time to time come upon the root-choked mouth of a cave exhaling its cool plutonic breath, and dare one another to leave the sunshine and enter that world of shadow—that entrance, as it always seemed to me, to the legendary past itself, where the bones of Indians and Frenchmen might lie moldering. It was in one of these anterooms of buried history that the beam of a flashlight, wielded by a deputy sheriff from Plunkettsburg, had struck the silvery lip of a can of pork and beans. Calling to his companions, the deputy plunged through a curtain of spiderweb and found himself in the parlor, bedroom, and kitchen of the dead man. There were some cans of chili and hash, a Primus stove, a lantern, a bedroll, a mess kit, and an old Colt revolver, Army issue, loaded and apparently not fired for some time. And there were also books—a Scout guide to roughing it, a collected Blake, and a couple of odd texts, elderly and tattered: one in German called “Über das Finstere Lachen,” by a man named Friedrich von Junzt, which appeared to be religious or philosophical in nature, and one a small volume bound in black leather and printed in no alphabet known to me, the letters sinuous and furred with wild diacritical marks.
“Pretty heavy reading for a clown,” Ganz said.
“It’s not all rubber chickens and hosing each other down with seltzer bottles, Jack.”
“Oh, no?”
“No, sir. Clowns have unsuspected depths.”
“I’m starting to get that impression, sir.”
Propped against the straightest wall of the cave, just beside the lantern, there was a large mirror, still bearing the bent clasps and sheared bolts that had once, I inferred, held it to the wall of a filling-station men’s room. At its foot was the item that had earlier confirmed to Detective Ganz—and now confirmed to me as I went to inspect it—the recent habitation of the cave by a painted circus clown: a large, padlocked wooden makeup kit, of heavy and rather elaborate construction.