Swords & Dark Magic - By Jonathan Strahan Page 0,74

Hereward. “But first…”

“I know, I know,” grumbled Sir Hereward. “What’s the thing’s name? Or do I just say ‘Summoned Antagonist’?”

Mister Fitz looked at the parchment for a long second. His painted eyes could see many more things than any human gaze, both in and beyond the ordinary world.

“Hypgrix the Second.”

“Right.”

Sir Hereward picked up his saber and set it ready on the bed, just in case, before holding the mandora high above the parchment. Then he spoke, the words coming as they always did, familiar and strong, the symbols on his and Mister Fitz’s brassards growing brighter with every word.

“In the name of the Council of the Treaty for the Safety of the World, acting under the authority granted by the Three Empires, the Seven Kingdoms, the Palatine Regency, the Jessar Republic, and the Forty Lesser Realms, we declare ourselves agents of the Council. We identify the godlet manifested in this parchment of Jerreke, as Hypgrix the Second, a listed entity under the Treaty. Consequently, the said godlet and all those who assist it are deemed to be enemies of the World and the Council authorizes us to pursue any and all actions necessary to banish, repel, or exterminate the said godlet.”

Mister Fitz broke the seals on the parchment of “godlet,” and even as the creature within boiled up like smoke and began to coalesce into something resembling flesh, Sir Hereward brought the mandora down upon it. Both beast and instrument immediately turned to dust, Mister Fitz gestured, and the dust blew out the window and was gone.

Sir Hereward winced as he sat back down on the bed, and looked at Mister Fitz.

“Now, tell me,” he said. “Why are you covered in salt?”

“Salt?” asked Mister Fitz. “It is not salt, but powdered bone and chalk. I have been digging in the tomb of some ancient, vasty creatures. It has been most interesting. Though not, it is clear, as exciting as your reading.”

“Perhaps not,” said Sir Hereward. He lay back on the bed, and pointed at a long wooden case that lay on the floor near his saddlebag. “If you can spare yourself from your digging, what say you to a game of kings and fools?”

Mister Fitz’s pumpkin-size head slowly rotated on his ridiculously thin neck, and his blue eyes peered at Sir Hereward’s face.

“So soon after your last defeat? You are transparent, Here-ward, but I doubt you have found some real advantage. The better player always wins.”

“We shall see,” said Sir Hereward. “Please lay out the set, and if you would be so kind, call down for ale.”

“Oh, and put this back in its place,” said Sir Hereward, stripping the brassard from his arm. “I trust that I will not need it, at least until we reach Bazynghame?”

“Best keep it near,” said Mister Fitz, as he picked up the game box. “There is the small matter of what I was digging for—and what I have found…”

* * *

MICHAEL MOORCOCK was born in London, England. At the age of sixteen, he became editor of Tarzan Adventures, and later, Sexton Black Library. But it was his editorship of New Worlds magazine, from May 1964 to March 1971, during which he fostered the “New Wave,” perhaps the most important movement in the history of science fiction. Moorcock is best known, however, for his creation of the Multiverse and his influence on sword and sorcery (a subgenre he helped name, together with Fritz Leiber). His character, Elric of Melniboné, is one of the most influential fantasy antiheroes the genre has ever produced. Not only have the novels been in continuous print since the 1970s, but Elric has crossed over into comics, role-playing games, and rock and roll. Moorcock’s influence on sword and sorcery fiction is colossal and no anthology of same could hope to be complete without him. He and his wife, Linda, currently divide their time between Texas, France, and California.

* * *

RED PEARLS

An Elric Story

Michael Moorcock

For George Mann and G. H. Teed

Over the Edge

The sun, rimmed in copper now and bloated as if with blood, settled upon the horizon, casting long black shadows across the strangely made ship, the Silela Li. On deck, two priestesses of Xiombarg, in their elaborate quilted habits and glinting bronze crowns, stood at the ship’s rail, considering the view and listening to the distant hungry roar which greeted the coming of darkness with godlike glee. The women began to chant, performing their evening prayers, and it seemed to them that a great shadow in the form of a

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