The Stone Sky (The Broken Earth, #3) - N. K. Jemisin Page 0,17
us mentions the rest, which in any case is indescribable using conductor words. What we experience is a searing sensation, and prickling all over, and the tumbledown resistance tangle of ancient pre-Sylanagistine wire such as we sometimes encounter in our explorations of the earth, gone rusted and sharp in its decay and wasted potential. Something like that.
Who gave the order? I want to know.
Gaewha has become a slow fault ripple of stark, frustrated, confused patterns. Conductor Gallat. The other conductors are angry about it and someone reported it to the higher-ups and that’s why they have sent Kelenli here. It took all of us together to hold the onyx and the moonstone. They are concerned about our stability.
Annoyed, I return, Perhaps they should have thought of that before—
“I do have something to do with the project, yes,” interrupts Kelenli, though there has been no break or disruption of the verbal conversation. Words are very slow compared to earthtalk. “I have some arcane awareness, you see, and similar abilities to yours.” Then she adds, I’m here to teach you.
She switches as easily as we do between the words of the conductors and our language, the language of the earth. Her communicative presence is radiant heavy metal, searing crystallized magnetic lines of meteoric iron, and more complex layers underneath this, all so sharp-edged and powerful that Gaewha and I both inhale in wonder.
But what is she saying? Teach us? We don’t need to be taught. We were decanted knowing nearly everything we needed to know already, and the rest we learned in the first few weeks of life with our fellow tuners. If we hadn’t, we would be in the briar patch, too.
I make sure to frown. “How can you be a tuner like us?” This is a lie spoken for our observers, who see only the surface of things and think we do, too. She is not white like us, not short or strange, but we have known her for one of ours since we felt the cataclysm of her presence. I do not disbelieve that she is one of us. I can’t disbelieve the incontrovertible.
Kelenli smiles, with a wryness that acknowledges the lie. “Not quite like you, but close enough. You’re the finished artwork, I’m the model.” Threads of magic in the earth heat and reverberate and add other meanings. Prototype. A control to our experiment, made earlier to see how we should be done. She has only one difference, instead of the many that we possess. She has our carefully designed sessapinae. Is that enough to help us accomplish the task? The certainty in her earth-presence says yes. She continues in words: “I’m not the first that was made. Just the first to survive.”
We all push a hand at the air to ward off Evil Death. But I allow myself to look like I don’t understand as I wonder if we dare trust her. I saw how the conductor relaxed around her. Pheylen is one of the nice ones, but even she never forgets what we are. She forgot with Kelenli, though. Perhaps all humans think she is one of them, until someone tells them otherwise. What is that like, being treated as human when one is not? And then there’s the fact that they’ve left her alone with us. We they treat like weapons that might misfire at any moment … but they trust her.
“How many fragments have you attuned to yourself?” I ask aloud, as if this is a thing that matters. It is also a challenge.
“Only one,” Kelenli says. But she’s still smiling. “The onyx.”
Oh. Oh, that does matter. Gaewha and I exchange a look of wonder and concern before facing her again.
“And the reason I’m here,” Kelenli continues, abruptly insistent upon delivering this important information with mere words, which somehow perversely serves to emphasize them, “is because the order has been issued. The fragments are at optimum storage capacity and are ready for the generative cycle. Corepoint and Zero Site go live in twenty-eight days. We’re finally starting up the Plutonic Engine.”
(In tens of thousands of years, after people have repeatedly forgotten what “engines” are and know the fragments as nothing but “obelisks,” there will be a different name for the thing that rules our lives now. It will be called the Obelisk Gate, which is both more poetic and quaintly primitive. I like that name better.)
In the present, while Gaewha and I stand there staring, Kelenli drops one last shocker into the vibrations between