The Speed of Dark - Elizabeth Moon Page 0,35

storage dishes and rolls of plastic film and waxed paper and aluminum foil.

“That was quick,” she says. She is quicker to pick out the foil she wants than she was with the rice.

“Thanks, Lou,” she says. “You were a big help.”

I wonder if I should tell her about the express lines at this store. Will she be annoyed? But she said she was in a hurry.

“The express lines,” I say. My mind blanks suddenly, and I hear my voice going flat and dull. “At this time, people come in and have more than the express lines sign says—”

“That’s so frustrating,” she says. “Is there one end or the other that’s faster?”

I am not sure what she means at first. The two ends of the checkout go the same speed, one coming as another leaves. It’s the middle, where the checker is, that can be slow or fast. Marjory is waiting, not rushing me. Maybe she means which end of the row of checkout stands, if not the express lanes, is faster.

I know that; it’s the end nearest the customer services desk. I tell her, and she nods.

“Sorry, Lou, but I have to rush,” she says. “I’m supposed to meet Pam at six-fifteen.” It is 6:07; if Pam lives very far away she will not make it.

“Good luck,” I say. I watch her move briskly down the aisle away from me, swerving smoothly around the other shoppers.

“So—that’s what she looks like,” says someone behind me. I turn around. It is Emmy. As usual, she looks angry. “She’s not that pretty.”

“I think she is pretty,” I say.

“I can tell,” Emmy says. “You’re blushing.”

My face is hot. I may be blushing, but Emmy didn’t have to say so. It is not polite to comment on someone else’s expression in public. I say nothing.

“I suppose you think she’s in love with you,” Emmy says. Her voice is hostile. I can tell she thinks this is what I think and that she thinks I am wrong, that Marjory is not in love with me. I am unhappy that Emmy thinks these things but happy that I can understand all that in what she says and how she says it. Years ago I would not have understood.

“I do not know,” I say, keeping my voice calm and low. Down the aisle, a woman has paused with her hand on a package of plastic storage containers to look at us. “You do not know what I think,” I say to Emmy. “And you do not know what she thinks. You are trying to mind-read; that is an error.”

“You think you’re so smart,” Emmy says. “Just because you work with computers and math. You don’t know anything about people.”

I know the woman down the aisle is drifting closer and listening to us. I feel seared. We should not be talking like this in public. We should not be noticed. We should blend in; we should look and sound and act normal. If I try to tell Emmy that, she will be even angrier. She might say something loud. “I have to go,” I say to Emmy. “I’m late.”

“For what, for a date?” she asks. She says the word date louder than the other words and with an upward-moving tone that means she is being sarcastic.

“No,” I say in a calm voice. If I am calm maybe she will let me alone. “I am going to watch TV. I always watch TV on—” Suddenly I cannot think of the day of the week; my mind is blank. I turn away, as if I had said the whole sentence. Emmy laughs, a harsh sound, but she does not say anything else that I can hear. I hurry back to the spice aisle and pick up my box of chili powder and go to the checkout lanes.

They all have lines.

In my line there are five people ahead of me. Three women and two men. One with light hair, four with dark hair. One man has a light-blue pullover shirt almost the same shade as a box in his basket. I try to think only about color, but it is noisy and the lights in the store make the colors different than they really are. As they are in daylight, I mean. The store is also reality. The things I don’t like are as much reality as the things I do like.

Even so, it is easier if I think about the things I do like and not about the ones I don’t.

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