Slow River - Nicola Griffith Page 0,63

sees a young woman who has designed herself. She can do anything she wants. She toys with the idea of wearing lenses but decides she likes the gray eyes and black and white hair. It gives her a cool, distant look, like the faces of dead heroes buried under ancient ice. It is a face that knows.

But what Lore knows is only through film. The time has come to discover with her body.

She calls up her anonymous friends on the net and asks about sex clubs.

The films Lore has seen and made are hard-core, not glitzy, romanticized versions of the truth, but, even so, the truth is more than she expected. The bar seems bright and friendly from the outside, as though there is nothing to hide, but the people Lore watches as they go in pay the cover using temporary debit cards, probably bought from one of the score of midtown dealers who convert PIDA credit to anonymous cards for a two-percent commission. Lore waits until they have disappeared inside, then offers her own card.

The hot, crowded bar smells. Beneath the high tickle of perfume and the raw throaty sting of alcohol lies the heavy, deep scent of bodies clothed and unclothed: leather, latex, the tang of sweat and excitement, and older smells, the kind that come from the stains the dim lighting is designed to hide. A thick bass line slides between and through the bodies standing at the bar, sitting at the tiny tables, dancing on the floor. It pushes against Lore’s abdomen, like a hand.

She heads for the back room.

A woman at the door stops her, hands her something. A leaflet. In the back room it is too dark to read anything but the header: Safer Sex Guidelines. Lore puts it in her pocket and heads for the scene room.

There are about a dozen women there. Some are engaged in sex, some are watching. One woman with long hair and fashionably loose muslin clothes stands by the wall. She is petite but not frail and there is a bag at her feet. Lore knows what she should do: she should catch the woman’s eye, walk over, and lay her hand on the woman’s arm; she should look into the woman’s eyes and say in a voice that means Let’s pretend, “I’m Star,” or Jade or Ellie, “a helpless, nervous virgin,” and then they would just . . . do it. She has seen pictures of everything. She knows how it goes. But life is different from pictures.

She does not know what to do.

The woman sees her, smiles. Lore smiles back, then blushes. The woman pushes herself off the wall, hesitates. They both walk toward each other at the same time.

“I. . .” says Lore, and feels paralyzed.

“I’m Anne,” the woman says, and takes her hand.

It is like the closing of an electric current, and suddenly Lore knows everything will be all right. They move off into a corner where a woman nods them to a stairway. Lore knows she climbs the stairs, but all she remembers is the feel of another woman’s hand in hers. And there is a bed and some words but Lore barely pays attention. For years her want has been undirected, amorphous, aimed now at some figure on the net screen, now some character in a novel, but for the first time she knows exactly who will touch her, will kiss her, will make her sweat. This woman. This woman with her long hair and small hips will ease inside her clothes; this woman with the New Zealand accent will open her legs and smile conspiratorially when she finds Lore wet; this woman will slip her fingers inside Lore and talk to her and encourage her and fuck her until her tendons strain and she starts to thrash and then cries out until her throat is raw.

Lore feels her need boiling up inside her like lava in a bore. “Now,” she says, “now,” and pulls Anne to her, not knowing whether to laugh or cry with wonder when soft breasts touch hers and that beautiful mouth, soft as plums, fastens on her neck. She comes as soon as Anne touches her through her clothes, and feels a string of orgasms waiting to be told off, one after another like beads.

“Again,” she says into Anne’s neck. “Oh, again and again and again.”

Lore is fifteen. It is summer once more, and she has been at Ratnapida for nearly five weeks. She is being driven

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