Silent Ridge (Detective Megan Carpenter #3) - Gregg Olsen Page 0,5

Dr. Albright, I have at least two suspects for this murder: Wallace and Michael Rader.

The photograph taken of me leaving the office proves I’m being watched. And my high school photograph shows a connection to my past. Is Wallace the killer, is Michael Rader? Is Michael my stalker?

“Are you ready?” Tony asks as I take one more look around the outside. The house is surrounded by tall trees on both sides. I have a clear view of the harbor and nothing but trees to either side. There is little to no traffic. A woman is walking her dog. She stops to clean up after the dog and continues on. I look at Tony but he shakes his head. That’s not the neighbor. Several boats are anchored with people on the decks. It’s a nice day. In one sailboat two guys are drinking; a girl dives in the water. There’s another with some fishermen and a sailboat with a woman sunning on the deck. Most of the boaters are curious about all the police activity. I’m surprised neighbors haven’t gathered in the yard.

Deputy Copsey is standing beside the front door. He’s hard to miss with his strawberry-blond hair and biceps that are barely contained by his uniform shirt.

The door is open to the unmistakable smell of decay. It burns my eyes and nose. Sheriff Gray offers me a tube of eucalyptus ointment. He’s rubbed some under his nose. I decline. I’ve done this before. It’s best to push through it. I know I’ll have to take my clothes to a cleaners when I get off and the smell will take a while to get out of my nostrils.

“Ma’am,” Deputy Copsey says with a nod and a grin as Sheriff Gray and I come up on the front stoop. He knows I hate being called “ma’am.” It’s his way of telling me I’m one of the crew. One of the guys. One of the troops. I don’t care if I am. I have a job to do.

“Deputy,” I say, and smile.

Copsey writes our names on the log. He will note everyone’s comings and goings and record the times.

A crime scene deputy I don’t recognize is laying a folded white sheet on the left side of the carpeted stairway. He’s wearing white Tyvek coveralls with the hood pulled up, gloves, seafoam-green paper booties. He comes back down the stairs, careful to stand on the folded sheet. He hands us gloves and booties. Sheriff Gray has a little trouble with the latex gloves. His hands are sweaty and the gloves stick to his skin. The crime scene guy offers me a hair net. I decline by staring him down. I’m getting good at that.

He gets me back. “This way, ma’am. Sheriff. Stay on the sheet.”

I don’t correct him about the “ma’am” shit. I’m standing at the base of the stairs. My imagination is on crack. Sheriff Gray hasn’t remarked on the condition of the body except that I won’t recognize the victim. That speaks volumes.

I start up the stairs and the smell gets stronger with each step. I wonder if stink rises, like warm air. The carpeting is a deep-pile mix of gray and black and tan fibers. It’s been a while since it was vacuumed. I always assumed Monique was a clean freak. She must have changed.

With each step I expect to see blood. Yet there isn’t any. I get to the top of the landing and the tech leads us down a short hallway. Doors are open on the left and right. Straight ahead a door is partially open to what looks like a half bath. There are little decorative towels hanging beside the sink. Unused. The neighbor told the sheriff that Monique had moved in about two weeks ago.

She wouldn’t have used this room.

The tech leads me to the door on the right. I know the room on the left will be facing into the woods, and so I suspect this room will have a view out over the water. The room comes into view in slices as I slowly move up to the doorway. A tallboy dresser is against the wall to my left. The top is bare. No photos or trinkets. I take another step and see a door just beyond the dresser. Probably the master bath. The door is open and another white-clad tech is bent at the waist, a camera clicking away.

On the far side of the room is a bay window with sheer curtains and room-darkening

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