Seven Years - By Peter Stamm Page 0,1

down at the ground and then into my eyes, but I pretended I hadn’t heard. We’re out of here, she said, and kissed me quickly on the mouth. Try not to make any noise when you get home.

The gallery started to empty, but it was a long time until the last of the visitors had gone. In the end, there was only Antje and me, and an elderly gentleman whom she didn’t introduce. The two of them were standing side by side in front of one of the pictures, talking together in such quiet voices that I instinctively left them alone. I flipped through the price list and kept glancing at the two of them. Finally Antje put her arms around the man, kissed him on the forehead, and walked him to the door. That was Georg, she said, I used to be crazy about him. She laughed. Weird, isn’t it? That was a hundred years ago. She went to the bar and came back with two glasses of red wine. She held one out to me, but I shook my head. I’ve given it up. She smiled doubtfully, emptied her glass in a single swallow, and said, well in that case, I’m all set.

The gallery owner had left the keys with Antje. She spent ages flicking the light switches until it was completely dark. Once outside, she slipped her arm through mine and asked if the car was parked nearby. It was still just snowing. What weather, she said. Next time we should meet in Marseilles. She asked me if I liked the paintings. You’ve gotten a little calmer, I said. Subtler, I hope, said Antje. I don’t understand art, I said, but unlike before, I could imagine having a painting of yours up on the wall at home. Antje said she wasn’t sure if that was a compliment or not.

I asked her if she had invited Sonia’s parents to the opening. I had expected them to be there. Antje didn’t reply. If you want to visit them, I can loan you the car, it’s just a hop and a skip to Starnberg anyway. Antje still didn’t say a word. Not until we got to the car did she answer that she hardly had any time, and she was too tired to go driving around the countryside. Getting the show ready had really taken it out of her. I asked her if there was anything the matter. She hesitated. No, she said, or maybe there is. They’ve gotten old and narrow-minded. Surely they always were, I replied. Antje shook her head. Of course Sonia’s parents were conservative, she said, but her father at least used to be genuinely interested in art. She had had many conversations with him about it. Of late, he had become more and more inaccessible, perhaps it was an age thing. He didn’t have any use for anything new, and had turned bitter. He doesn’t need to agree with me, she said, but I wish he would at least listen to what I have to say. The last time we met, we had a huge argument about Gursky. Since then I haven’t felt like seeing him.

I wondered whether there might not be other reasons for Antje not to see Sonia’s father. I often suspected there might have been something between them. When I ran it by Sonia once, she reacted indignantly, and said her parents had a good marriage. Just like us, I thought, and said nothing more.

Even though there wasn’t much in the way of traffic, it still took us a long while to get clear of the city. Antje didn’t speak. I looked across to her and saw she had closed her eyes. I thought she was asleep when she suddenly said she sometimes wondered if she had done me a favor back then. How do you mean? What with? Sonia wasn’t sure, Antje said. For a while neither of us spoke, and then Antje said Sonia wasn’t sure whether we were a good match. You mean if I was good enough for her?, I asked. You had potential, Antje said, I think that was her word. The other boy … Rüdiger, I said. Yes, Rüdiger was fun to be with, but he wasn’t focused enough. And then there was someone else. She tried to recall the name. The one who later married the musician. Ferdy?, I said. Maybe, said Antje.

I couldn’t imagine Sonia ever being interested in Ferdy. It didn’t last long,

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