The Sentry - By Robert Crais Page 0,39

any reason would do.

Button started away, then turned back. Pike saw he still had the picture of Mendoza. He held it out, but when Pike took it, Button did not let go.

“I guess you don’t remember the rules of the road, you giving up the badge. If we have to make a case on this asshole, you took this kid Jared off the board as a witness. You showing him the one picture like this, his attorney is going to argue you convinced this kid that Mendoza is who he saw, even though he saw someone else. And the judge is going to go with it.”

Button released the picture, and went back to his truck.

Pike knew Button was right, but he didn’t care about the case. He cared about saving Dru Rayne.

He was halfway back to his Jeep when Elvis Cole called.

17

Elvis Cole

Standing in the alley between the canals as Joe Pike left to find Button, Cole knew Pike already thought the worst, and was in full-on Terminator mode. Pike had focused on a goal and would drive forward like a relentless machine. Back in Cole’s Ranger days, they had called this mission commitment, and Pike’s mission commitment was off the charts. But Cole wasn’t convinced the worst was at hand. He wanted to enter the house without preconceived notions, and interpret the facts as he found them. Like Joe said—he wanted to see with fresh eyes.

Cole ambled to Smith’s front gate as if he were just another resident out for an afternoon stroll. Pike had warned him about the problem with Jared and explained it was safer to hop the fence on the opposite side of the carport, but Cole wanted to see the gate Mendoza used. Jared’s window was clear, so he studied the handle. It was set with a simple key lock that was weathered and scraped. A button on the post could be pushed to let people inside know you were here. There was probably another button inside the house that would unlock the gate. A metal shield covered the gap between the gate and the gatepost where the bolt fit into the post. The shield was designed to prevent someone from slipping the bolt, but Cole knew these were easy to beat. He saw no fresh cuts or scrapes on the surrounding metal, but Cole also knew it was easy to leave no marks.

Cole checked to see if Jared or anyone else was watching, then climbed over.

The front door was a standard wood entry, stained dark to match the house. A Master deadbolt was set in the frame above the knob lock. Cole pulled on a pair of vinyl gloves, selected a pick and a tension wrench from his pick kit, and went to work. Two minutes for the deadbolt, one for the knob. On-the-job training courtesy of the United States Army.

Cole opened the door slowly, and stepped into a small tiled entry. The house was cool. He smelled grease, seafood, and a flowery scent he could not place. Cole listened for several seconds, then announced himself with authority.

“Police department. This is Detective Banning with LAPD. Is anyone in the house?”

Cole gave it a full ten seconds, then closed and locked the door. The entry was the stressful part. Cole had walked into pit bulls, sleepwalkers, three naked men practicing yoga, seven abandoned children under the age of four, and, once, two cranked-up meth addicts with 12-gauge shotguns laying in wait for their dealer. That had not been one of his better days.

Without moving, Cole scanned the entry’s floor and walls. He saw no blood, heavy scuff marks, shell casings, upended or out of place furniture, or other evidence of a struggle.

His plan of attack was to search the second floor first in case the police showed up, so he moved to the stairs, checking each step as he climbed. He cleared the landing quickly, then went to the office. Pike had already briefed him on the layout.

The office was nicely furnished, and clearly belonged to someone who had enjoyed a successful career in television. Framed credits from crime shows that were no longer on the air dotted the walls, most of which Cole recognized by the actors. The credits all showed the same name. Produced by Steve Brown. Written by Steve Brown. Directed by Steve Brown.

Though Cole didn’t recognize the name, he liked the shows.

“Nice work, Steve. Well done.”

Though the room was well furnished, Cole noticed empty places on the walls where pictures were