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decent guy. You may even like him.” As Ophélie listened, she shook her head.

“I don't think he'd speak to me after everything I said to him.” But she wasn't sorry she had. They still had no idea who he was.

“You could go back and apologize tomorrow. Tell him you've been through a tough time and you're a little nervous.”

“Don't be silly. I can't do that. And besides, what if I was right? Maybe he is a child molester, for all we know.”

“In that case, don't go back and apologize. But my guess is that he's just a guy who was painting on the beach and likes kids. It sounds more like Pip went after him.”

“And that is precisely why I sent her to her room.”

“Poor kid. She didn't mean any harm by it, she was probably just having fun.”

“Well, from now on she'll have to stay close to the house and have fun here.” But after she hung up, Ophélie realized how little fun she provided for her. There were no children to play with, no activities, and they never did anything together anymore. The last time they'd been out somewhere together was the day that Ted and Chad had died. Ophélie had taken her nowhere since then.

After talking to Andrea, Ophélie went and knocked on the door of Pip's room. The door was closed, and when she tried to open it, she found it was bolted from inside.

“Pip?” There was no answer, and she knocked again. “Pip? May I come in?” There was another long silence, and then finally a small voice drowning in tears.

“You were mean to my friend. You were horrible. I hate you. Go away.” Ophélie stood on the other side of the door, feeling helpless, but not guilty. She had an obligation to protect her daughter, even if Pip didn't agree or understand.

“I'm sorry. You don't know who he is,” she said firmly.

“Yes, I do. He's a nice person. And he has children in New Zealand.”

“Maybe he was lying,” Ophélie persisted, but she was beginning to feel foolish trying to convince her through a locked door. And it was obvious that Pip had no intention of letting her in. Nor of coming out. “Come out and talk to me.”

“I don't want to talk to you. I hate you.”

“Let's have dinner and talk about it. We can go out if you want.” There were two restaurants in town where they had never been.

“I don't want to go anywhere with you. Ever again.” Ophélie didn't say it, but she was tempted to point out to Pip that her mother was all she had. Just as Pip was all she had now. All they had in the world was each other. They couldn't afford to be enemies or at each other's throats. They needed each other far too much.

“Why don't you just unlock the door? I won't come in if you don't want. You don't need to keep it locked.”

“Yes, I do,” Pip said stubbornly. She was holding the drawing of Mousse that she'd done with Matt, and still crying. She already missed him. And she wasn't going to let her mother keep her from him. She'd go to see him on the days when she was with Amy. And she hated the things her mother had said to him. She was mortified for him.

Ophélie continued to try to coax her out for a while longer, and then finally gave up, and went back to her bedroom. Neither of them ate dinner that night, and hunger finally drove Pip out of her bedroom the next morning. She came out for a piece of toast and a bowl of cereal and went back to her bedroom. She said not a single word to her mother, as she prepared her breakfast, and then left.

And at his house, Matt had lain awake all night, thinking of her, and worried about her. He didn't even know where they lived, so he could make a formal apology to her mother, in the hopes of softening her position. He hated to let Pip slip out of his life. He hardly knew her, but he already missed her a lot.

The war between Pip and her mother went on until early afternoon. And then they sat through one of their silent, painful dinners. It was the look on Pip's face that finally unnerved her mother.

“For heaven's sake, Pip, what's so special about him? You don't even know him.”

“Yes, I do. And I like to draw with

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