The Running Man - By Stephen King Page 0,36

He paused and then said dreamily:" Sometimes I think that I could blow the whole thing outta the water with ten minutes talk-time on the Free-Vee. Tell em. Show em. Everybody could have a nose filter if the Network wanted em to have em.

"And I'm helping them," Richards said.

"That ain't your fault. You got to run.

Killian's face, and the face of Arthur M. Burns rose up in front of Richards. He wanted to smash them, stomp them, walk on them. Better still, rip out their nose filters and turn them into the street.

"People's mad," Bradley said. "They've been mad at the honkies for thirty years. All they need is a reason. A reason... one reason..."

Richards drifted off to sleep with the repetition in his ears.

MINUS 062 AND COUNTING

Richards stayed in all day while Bradley was out seeing about the car and arranging with another member of the gang to drive it to Manchester.

Bradley and Stacey came back at six, and Bradley thumbed on the Free-Vee. "All set, man. We go tonight."

"Now?'

Bradley smiled humorlessly. "Don't you want to see yourself coast-to-coast?"

Richards discovered he did, and when The Running Man lead-in came on, he watched, fascinated.

Bobby Thompson stared deadpan at the camera from the middle of a brilliant post in a sea of darkness. "Watch," he said. "This is one of the wolves that walks among you."

A huge blowup of Richards's face appeared on the screen. It held for a moment, then dissolved to a second photo of Richards, this time in the John Griffen Springer disguise.

Dissolve back to Thompson, looking grave. "I speak particularly to the people of Boston tonight. Yesterday afternoon, five policemen went to a blazing, agonized death in the basement of the Boston YMCA at the hands of this wolf, who had set a clever, merciless trap. Who is he tonight? Where is he tonight? Look! Look at him!"

Thompson faded into the first of the two clips which Richards had filmed that morning. Stacey had dropped them in a mailbox on Commonwealth Avenue, across the city. He had let Ma hold the camera in the back bedroom, after he had draped the window and all the furniture.

"All of you watching this," Richards's image said slowly. "Not the technicos, not the people in the penthouses-I don't mean you shits. You people in the Developments and the ghettos and the cheap highrises. You people in the cycle gangs. You people without jobs. You kids getting busted for dope you don't have and crimes you didn't commit because the Network wants to make sure you aren't meeting together and talking together. I want to tell you about a monstrous conspiracy to deprive you of the very breath in y-"

The audio suddenly became a mixture of squeaks, pops, and gargles. A moment later it died altogether. Richards's mouth was moving, but no sound was coming out.

"We seem to have lost our audio," Bobby Thompson's voice came smoothly, "but we don't need to listen to any more of this murderer's radical ravings to understand what we're dealing with, do we?"

"No!" The audience screamed.

"What will you do if you see him on your street?"

"TURN HIM IN!"

"And what are we going to do when we find him?"

"KILL HIM!"

Richards pounded his fist against the tired arm of the only easy chair in the apartment's kitchen-living room. "Those bastards," he said helplessly.

"Did you think they'd let you go on the air with it?" Bradley asked mockingly. "Oh no, man. I'm s'prised they let you get away with as much as they did."

"I didn't think," Richards said sickly.

"No, I guess you didn't," Bradley said.

The first clip faded into the second. In this one, Richards had asked the people watching to storm the libraries, demand cards, find out the truth. He had read off a list of books dealing with air pollution and water pollution that Bradley had given him.

Richards's image opened its mouth. "Fuck every one of you," his image said. The lips seemed to be moving around different words, but how many of the two hundred million people watching were going to notice that? "Fuck all pigs. Fuck the Games Commission. I'm gonna kill every pig I see. I'm gonna-" There was more, enough so that Richards wanted to plug his ears and tun out of the room. He couldn't tell if it was the voice of a mimic, or a harangue made up of spliced bits of audio tape.

The clip faded to a split-screen of Thompson's face and the still photo of Richards. "Behold the man,"