The Running Man - By Stephen King Page 0,17

to spatter on cue. That would be good theater, too."

"Pay attention, please," Victor said. "You and the guards go on when your name is called. Bobby will, uh, interview you. Feel free to express yourself as colorfully as you please. It's all good theater. Then, around six-ten, just before the first Network promo, you'll be given your stake money and exit-sans guards-at stage left. Do you understand?"

"Yes. What about Laughlin?"

Victor frowned and lit a cigarette. "He comes on after you, at six-fifteen. We run two contests simultaneously because often one of the contestants is, uh, inadept at staying ahead of the Hunters."

"With the kid as a back-up?"

"Mr. Jansky? Yes. But none of this concerns you, Mr. Richards. When you exit stage left, you'll be given a tape machine which is about the size of a box of popcorn. It weighs six pounds. With it, you'll be given sixty tape, clips which are about four inches long. The equipment will fit inside a coat pocket without a bulge. It's a triumph of modern technology."

"Swell."

Victor pressed his lips together. "As Dan has already told you, Richards, you're a contestant only for the masses. Actually, you are a working man and you should view your role in that light. The tape cartridges can be dropped into any mailslot and they will be delivered express to us so we can edit them for airing that night. Failure to deposit two clips per day will result in legal default of payment."

"But I'll still be hunted down."

"Right. So mail those tapes. They won't give away your location; the Hunters operate independently of the broadcasting section."

Richards had his doubts about that but said nothing.

"After we give you the equipment, you will be escorted to the street elevator. This gives directly on Rampart Street. Once you're there, you're on your own." He paused. "Questions?"

"No."

"Then Mr. Killian has one more money detail to straighten out with you."

They walked back to where Dan Killian was in conversation with Arthur M. Burns. Richards asked for another Rooty-Toot and got it.

"Mr. Richards," Killian said, twinkling his teeth at him. "As you know, you leave the studio unarmed. But this is not to say you cannot arm yourself by fair means or foul. Goodness! no. You-or your estate-will be paid an additional one hundred dollars for any Hunter or representative of the law you should happen to dispatch-"

"I know, don't tell me," Richards said. "It's good theater."

Killian smiled delightedly. "How very astute of you. Yes. However, try not to bag any innocent bystanders. That's not kosher."

Richards said nothing.

"The other aspect of the program-"

"The stoolies and independent cameramen. I know."

"They're not stoolies; they're good North American citizens." It was difficult to tell whether Killian's tone of hurt was real or ironic. "Anyway, there's an 800 number for anyone who spots you. A verified sighting pays one hundred New Dollars. A sighting which results in a kill pays a thousand. We pay independent cameramen ten dollars a foot and up-"

"Retire to scenic Jamaica on blood money," Richards cried, spreading his arms wide. "Get your picture on a hundred 3-D weeklies. Be the idol of millions. Just holograph for details."

"That's enough," Killian said quietly. Bobby Thompson was buffing his fingernails; Victor had wandered out and could be faintly heard yelling at someone about camera angles.

Killian pressed a button. "Miss Jones? Ready for you, sweets." He stood up and offered his hand again. "Make-up next, Mr. Richards. Then the lighting runs. You'll be quartered offstage and we won't meet again before you go on. So-"

"It's been grand," Richards said. He declined the hand.

Miss Jones led him out. It was 2:30.

MINUS 081 AND COUNTING

Richards stood in the wings with a cop on each side, listening to the studio audience as they frantically applauded Bobby Thompson. He was nervous. He jeered at himself for it, but the nervousness was a fact. Jeering would not make it go away. It was 6:01.

"Tonight's first contestant is a shrewd, resourceful man from south of the Canal in our own home city," Thompson was saying. The monitor faded to a stark portrait of Richards in his baggy gray workshirt, taken by a hidden camera days before. The background looked like the fifth floor waiting room. It had been retouched, Richards thought, to make his eyes deeper, his forehead a little lower, his cheeks more shadowed. His mouth had been given a jeering, curled expression by some technico's airbrush. All in all, the Richards on the monitor was terrifying-the angel of urban death, brutal,