breeze that came off the water. Then slowly, approaching the fountain, she tossed a coin quietly into the water, and then smiled to herself as she wandered in the direction of the Palazzo del Quirinale and then into the Via del Tritone. She came rapidly to the Triton's Fountain, and then to the Piazza Barberini, where she stood for a long moment wondering where to go next. It was almost eleven o'clock now and she was suddenly exhausted as she realized that she had nowhere to spend the night. She had to find a hotel room, a pensione, a convent, some place, but as she enumerated the possibilities in her head, her feet seemed to follow their own direction, and then suddenly she realized where she was going and caught her breath, knowing what had happened, what she was doing, and not wanting to continue or turn back. It was for this that she had left the peaceful convent on the Hudson, crossed the Atlantic, and taken the train from France.
A tiny part of her told her to wait until morning, until she was rested and her head was clear. It had been a long trying day, first in Venice and now here, with hours on the train, but it suddenly didn't matter, and Serena stopped letting her feet wander and stopped pretending to herself, that she had nowhere to go. She did have somewhere to go, a place she wanted to go to desperately, no matter how tired she was … and her feet moved relentlessly toward the familiar address on the Via Guilia. She had to see it, just to stand there for a moment, before she turned her back on the past forever and began the rest of her life. As she turned the last corner she could feel her heart beat faster, and suddenly her pace quickened as she could feel the building before it even came into view. And then suddenly … suddenly … under the street lamps, just past the trees, was the gleaming expanse of white marble, with the long French windows, the balconies, the lower floors hidden by tall hedges, and the long marble steps just inside the front gate, the whole of it surrounded by a border of flower beds and lawn.
“My God.…”It was the merest whisper. In the darkness it was easy to delude oneself that there had been no changes, that everything was as it had once been. That at any moment a familiar face would appear at a window, or her father would step outside with a cigar, for some air. Serena's mother had hated it at night when he had smoked cigars in the bedroom, and once in a while he had gone for a walk in the garden. When Serena awoke at night, as a little girl, sometimes she saw him there. Unconsciously she found herself looking for him now. But she saw no one, and like the house in Venice, it was shuttered. Only now she imagined her uncle sleeping here and even though he might be inside, she had lost the urge to see him—to fight him. What difference now?
She stood in front of her home for what seemed an endless time, unable to take her eyes from it, unable to go closer, and unwilling to try. This was as far as the dream had brought her. She would go no closer. She had no need to. The dream was all over now.
And then, as she turned slowly, her eyes filling with tears, her head held high, her suitcase still in her hand, she saw the copious form of an old woman, standing, watching her, a shawl around her corpulent shoulders, her hair pulled into a bun, as she continued to stare at Serena, as though wondering what this girl was doing here, with a suitcase, gaping at the Palazzo Tibaldo in the middle of the night. As Serena continued down the street with a determined step, the old woman suddenly rushed toward her, with a piercing shriek and a wail, both arms extended, as the shawl fell from her shoulders into the street, and she suddenly stood before Serena, her whole body trembling, her eyes streaming as she held out her arms to the girl. Serena made as though to step backward, stunned by the old woman, and then suddenly she looked into the heavily lined face and she gave a gasp of astonishment and then she too was sobbing softly as she