Red Mars (Mars Trilogy, #1) - Kim Stanley Robinson Page 0,148
laughed with him at the thought.
Later that afternoon sunlight pierced the dust more strongly than usual, lighting the streaming clouds so that the caravanserai seemed to rest in the ventricle of a giant heart, with the gusts of the wind saying beat, beat, beat, beat. The Sufis called out to each other when they looked through the lechatelierite windows, and quickly they suited up to go out into this crimson world, into the wind, calling to Boone to accompany them. He grinned and suited up, surreptitiously swallowing a tab of omeg as he did so.
Once outside they walked the circumference of the ragged edge of the mesa, looking out into the clouds and down onto the shadowed plain below, pointing out to John whatever features happened to be visible. After that they gathered near the caravanserai, and John listened to their voices as they chanted, various voices providing English translations for the Arabic and Farsi. “Possess nothing and be possessed by nothing. Put away what you have in your head, give what you have in your heart. Here a world and there a world, we are seated on the threshold.”
Another voice: “Love thrilled the chord in my soul’s lute, and changed me to love from head to foot.”
And they began to dance. Watching John suddenly got it, that they were whirling dervishes: they leaped into the air to the beat of drums pattering lightly over the common band, they leaped and whirled in slow unearthly spins, arms outstretched, and when they touched down they pushed off and did it again, for turn after turn after turn. Whirling dervishes in the great storm, on a high round mesa that had been a crater floor in the Noachian. It looked so marvelous in the bloody pulsing glow of light that John stood up and started to spin with them. He wrecked their symmetries, he sometimes actually collided with other dancers; but no one seemed to mind. He found that it helped to jump slightly into the wind, to keep from being blown off balance. A hard gust would knock you flat. He laughed. Some of the dancers were chanting over the common band, the usual quarter-tone ululations, punctuated by shouts and harsh rhythmic breathing, and the phrase “Ana el-Haqq, ana el-Haqq”—I am God, one translated, I am God. A Sufi heresy. The dancing was meant to hypnotize you—there were other Moslem cults that did it with self-flagellation, John knew. Spinning was better; he danced, he joined the chant on the common band by punctuating it with his own rapid breath, and with grunts and babble. Then without thinking about it he began to add to the flow of sound the names for Mars, muttering them in the rhythm of the chant as he understood it. “Al-Qahira, Ares, Auqakuh, Bahram. Harmakhis, Hrad, Huo Hsing, Kasei. Ma’adim, Maja, Mamers, Mangala. Nirgal, Shalbatanu, Simud and Tiu.” He had memorized the list years before as a kind of party trick; now he was quite surprised to find what an excellent chant it made, how it spilled out of his mouth and helped stabilize his spinning. The other dancers were laughing at him, but in a good way, they sounded pleased. He felt drunk, his whole body was humming. He repeated the litany many times, then shifted to repeating the Arabic name, over and over: “Al-Qahira, Al-Qahira, Al-Qahira.” And then, remembering what one of the translating voices had told him, “Ana el-Haqq, ana Al-Qahira. Ana el-Haqq, ana Al-Qahira.” I am God, I am Mars, I am God…. The others quickly joined him in this chant, lifted it into a wild song, and in the flash of rotating faceplates he caught sight of their grinning faces. They were really good spinners;as they whirled their outstretched fingers cut the rush of red dust into arabesques, and now as they spun they tapped him with their fingertips, guiding him or even actively pushing his clumsy turns into the weave of their pattern. He shouted the planet’s names and they repeated them after him, in call and response style. They chanted the names, Arabic, Sanskrit, Inca, all the names for Mars, mixed together in a soup of syllables, creating a polyphonic music that was beautiful and shivery-strange, for the names for Mars came from times when words sounded odd, and names had power: he could hear that when he sang them. I’m going to live for a thousand years, he thought.
When he finally stopped dancing and sat to watch, he began