The Ragged Man - By Tom Lloyd Page 0,22

Maram. Mihn knew from the myths he’d studied that the bridge was only a hand-width wide, and covered in nails to tear the feet of sinners. Aside from the pavilion, the other bank was hidden by impenetrable shadows, though Mihn felt a subconscious horror at what lay beyond.

The scene was exactly as the stories described, but nothing could prepare a man, not even a Harlequin, for the sight of it. For a moment he forgot his mission and simply stared: at Maram, at the nail bridge, at the Dark Place beyond . . . until a soft moan broke the silence and awakened him from his reverie, enough to stir him into movement. He scrambled down the slope towards to the edge of the river, where a figure stood, ghostly of form and clad in tattered rags, the soul of a woman. The chains she was dragging were far longer and heavier than those carried by the first soul Mihn had met - despite the Mercies, there remained dozens of sins unforgiven by Lord Death. Mihn could see half-a-dozen were the pitted iron of murder.

The soul was walking towards the bridge, compelled, as all souls were. Mihn watched, shaken, as she ground to a halt, turning about in confusion, as a shapeless but unmistakably malevolent black mist swirled about her feet.

He saw her walk a few yards back the way she had come, head bowed and feet dragging with exhaustion, before being turned again, and again.

After a while Mihn approached, with great caution, watching the black mist in particular. He knew the threat it posed, but he was far more afraid that the scent of the soul’s many sins would attract Ghain’s many torments.

He opened his mouth to speak, but he felt the words catch in his throat, the bile rising, for all that he knew how necessary this was. The soul’s journey up Ghain’s slopes must have been long and hard, attracting each of the thousand torments like moths to a flame, and it was impossible to tell how many years it had felt like to her.

The passage of time in the afterlife bore little relation to that of the Land, and Ehla’s bargain, suggested by Daima - who knew the lay of Ghain better than most mortals - might have kept the soul walking for centuries more, especially given the weight of her sins. That she was a grievous sinner, one ineluctably bound for the Dark Place, made Mihn feel no better about inflicting further cruelty - even more since the first Mercy had told him judgment was not his to mete out.

Mihn reminded himself of the choices involved and called out, ‘Duchess, turn around and close your eyes to it.’

The soul turned, as though waking from a dream.

‘It — It is everywhere,’ she sobbed eventually. ‘I cannot . . .’

‘Close your eyes,’ Mihn commanded, ‘and walk.’

After more wails of protest he repeated himself, and this time the soul did as he ordered. Almost instantly the swirling blackness around her stopped its darting movements and rose up angrily. For a moment Mihn thought it was about to take form and attack him, but instead it raced away, disappearing into the distance.

‘Now cross the bridge,’ Mihn told the soul.

The soul that had once been Duchess Lomin, quietly executed for heresy and treason, began to trudge wearily towards the bridge. She stopped as she reached it. The bridge was roughly built and insubstantial, just a thin, nail-studded walkway, with a single handrail on the left-hand side. She started to gather the chains dragging behind her, intent on draping them over the rail, until Mihn called out again to stop her.

‘You must carry your sins; you must bear them, or risk the boatman dragging you from the bridge.’

On cue a scow appeared from nothing, racing towards them on the fiery tumult below. Standing at the prow was a single figure swathed in red robes. Its face was hidden by a veil and a jewelled pouch hung from its waist: the Maram boatman, neither daemon nor God, but a being of power whose true name was hidden to mortals. The Maram boatman was one of the few beings in existence that bowed to no authority. To see behind its veil was to see horror itself, so the legends said, and to be dragged into the river by the pole with which it propelled the scow was to become fuel for the flames.

The figure raised its pole as it reached them and swiped

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