what to make of the twentieth-century song. Napoleon was stupefied, then delighted! A stroke of comic genius, the entire scene. But how many times could a mortal watch it? For Armand there seemed no end.
Yet within six months he had dropped the movies for video cameras and must make his own films. All over New York he dragged Daniel, as he interviewed people on the nighttime streets. Armand had reels of himself reciting poetry in Italian or Latin, or merely staring with his arms folded, a gleaming white presence slipping in and out of focus in eternally dim bronze light.
Then somewhere, somehow, in a place unbeknownst to Daniel, Armand made a long tape of himself lying in the coffin during his daytime deathlike sleep. Daniel found this impossible to look at. Armand sat before the slow-moving film for hours, watching his own hair, cut at sunrise, slowly growing against the satin as he lay motionless with closed eyes.
Next it was computers. He was filling disk after disk with his secret writings. He rented additional apartments in Manhattan to house his word processors and video game machines.
Finally he turned to planes.
Daniel had always been a compulsive traveler, he had fled Armand to cities worldwide, and certainly he and Armand had taken planes together. Nothing new in that. But now it was a concentrated exploration; they must spend the entire night in the air. Flying to Boston, then Washington, then to Chicago, then back to New York City, was not unusual. Armand observed everything, passengers, stewardesses; he spoke with the pilots; he lay back in the deep first-class seats listening to the engines roar. Double-decker jets particularly enchanted him. He must try longer, more daring adventures: all the way to Port-au-Prince or San Francisco, or Rome, or Madrid or Lisbon, it didn't matter, as long as Armand was safely landed by dawn.
Armand virtually disappeared at dawn. Daniel was never to know where Armand actually slept. But then Daniel was dead on his feet by daybreak anyway. Daniel didn't see high noon for five years.
Often Armand had been in the room some time before Daniel awakened. The coffee would be perking, the music going- Vivaldi or honky-tonk piano, as Armand loved both equally- and Armand would be pacing, ready for Daniel to get up.
"Come, lover, we're going to the ballet tonight. I want to see Baryshnikov. And after that, down to the Village. You remember that jazz band I loved last summer, well, they've come back. Come on, I'm hungry, my beloved. We must go."
And if Daniel was sluggish, Armand would push him into the shower, soap him all over, rinse him off, drag him out, dry him thoroughly, then shave his face as lovingly as an old-fashioned barber, and finally dress him after carefully selecting from Daniel's wardrobe of dirty and neglected clothes.
Daniel loved the feel of the hard gleaming white hands moving over his naked flesh, rather like satin gloves. And the brown eyes that seemed to draw Daniel out of himself; ah, the delicious disorientation, the certainty that he was being carried downwards, out of all things physical, and finally the hands closing on his throat gently, and the teeth breaking through the skin.
He closed his eyes, his body heating slowly, only to burn truly when Armand's blood touched his lips. He heard the distant sighs again, the crying, was it of lost souls? It seemed a great luminous continuity was there, as if all his dreams were suddenly connected and vitally important, yet it was all slipping away. . . .
Once he'd reached out, held Armand with all his strength, and tried to gash the skin of his throat. Armand had been so patient, making the tear for him, and letting him close his mouth on it for the longest time-yes, this-then guiding him gently away.
Daniel was past all decision. Daniel lived only in two alternating states: misery and ecstasy, united by love. He never knew when he'd be given the blood. He never knew if things looked different because of it-the carnations staring at him from their vases, skyscrapers hideously visible like plants sprung up from steel seeds overnight-or because he was just going out of his mind.
Then had come the night when Armand said he was ready to enter this century in earnest, he understood enough about it now. He wanted "incalculable" wealth. He wanted a vast dwelling full of all those things he'd come to value. And yachts, planes, cars- millions of dollars. He wanted to