he sang it, groaning like Bruce Springsteen into the mike and making it just break your heart.
It was kind of like a hymn in a way. It had that kind of sound, yet Lestat was right there in the middle of it, singing to her, and there was a steady drumbeat that went to her bones.
"OK, man, OK, you're the only goddamn Dead guy I've got now, Lestat, keep singing!"
Five minutes to St. Louis, and there she was thinking about her mother again, how strange it had all been, how bad.
Baby Jenks hadn't even told Killer or Davis why she was going home, though they knew, they understood.
Baby Jenks had to do it, she had to get her parents before the Fang Gang went out west. And even now she didn't regret it. Except for that strange moment when her mother was dying there on the floor.
Now Baby Jenks had always hated her mother. She thought her mother was just a real fool, making crosses every day of her life with little pink seashells and bits of glass and then taking them to the Gun Barrel City Flea Market and selling them for ten dollars. And they were ugly, too, just real ready-made junk, those things with a little twisted-up Jesus in the middle made up of tiny red and blue beads and things.
But it wasn't just that, it was everything her mother had ever done that got to Baby Jenks and made her disgusted. Going to church, that was bad enough, but talking the way she did to people so sweet and just putting up with her husband's drinking and always saying nice things about everybody.
Baby Jenks never bought a word of it. She used to lie there on her bunk in the trailer thinking to herself, What really makes that lady tick? When is she going to blow up like a stick of dynamite? Or is she just too stupid? Her mother had stopped looking Baby Jenks in the eye years ago. When Baby Jenks was twelve she'd come in and said, "You know I done it, don't you? I hope to God you don't think I'm no virgin." And her mother just faded out, like, just looked away with her eyes wide and empty and stupid, and went back to her work, humming like always as she made those seashell crosses.
One time some big city person told her mother that she made real folk art. "They're making a fool of you," Baby Jenks had said. "Don't you know that? They didn't buy one of those ugly things, did they? You know what those things look like to me? I'll tell you what they look like. They look like great big dime-store earrings!"
No arguing. Just turning the other cheek. "You want some supper, honey?"
It was like an open and shut case, Baby Jenks figured. So she had headed out of Dallas early, making Cedar Creek Lake in less than an hour, and there was the familiar sign that meant her sweet little old home town:
WELCOME TO GUN BARREL CITY. WE SHOOT STRAIGHT WITH YOU.
She hid her Harley behind the trailer when she got there, nobody home, and lay down for a nap, Lestat singing in the earphones, and the steam iron ready by her side. When her mother came in, slam bam, thank you, ma'am, she'd take her out with it.
Then the dream happened. Why, she wasn't even asleep when it started. It was like Lestat faded out, and the dream pulled her down and snap:
She was in a place full of sunlight. A clearing on the side of a mountain. And these two twins were there, beautiful women with soft wavy red hair, and they knelt like angels in church with their hands folded. Lots of people around, people in long robes, like people in the Bible. And there was music, too, a creepy thumping and the sound of a horn playing, real mournful. But the worst part was the dead body, the burned body of the woman on a stone slab. Why, she looked like she'd been cooked, lying there! And on the plates, there was a fat shiny heart and a brain. Yep, sure thing, that was a heart and a brain.
Baby Jenks had woken up, scared. To hell with that. Her mother was standing in the door. Baby Jenks jumped up and banged her with the steam iron till she stopped moving. Really bashed in her head. And she should have been dead, but