Pow! - By Mo Yan Page 0,70

voice followed us in. ‘A wife, a mistress, a son and a daughter. Of all the men in Slaughterhouse Village, you're the best!’

Father shut the door in Yao Qi's face. Yao Qi pushed it back open and, one foot in, carried on: ‘I've missed seeing you about all these years.’

Father ignored him and, with a wry smile, pulled my sister and me over to a dusty bench strewn with dog-eared magazines that had been flipped through and pawed over more times than I could imagine. The bench was a replica of the one in the station's waiting room, so it was either made by the same carpenter or stolen by the salon owner. A swivelling barber-chair with a footrest and a leather seat—so cracked it looked like it had been slashed—awaited us. The mirror on the wall in front of the chair had rippled and faded, creating only blurred reflections. A narrow shelf under the mirror was crowded with shampoos, hair gels and mousse (that's right, it's called mousse). A pair of electric clippers hung from a rusty nail on the wall alongside a dozen coloured illustrations of fashionable hairstyles worn by young models—men and women; some still stuck fast to the wall while others had begun to peel away. The red brick floor had undergone a change in colour thanks to all the black, white and grey hair that had lain atop it, that and the mud tracked in by customers. A strange and pungent smell—not quite fragrant but far from offensive—in the air inside made me sneeze—three times in a row. It must have been contagious because Jiaojiao did the same thing, three times in a row. She looked funny yet adorable with her face scrunched up with every sneeze.

‘Who's thinking of me, Daddy?’ She blinked. ‘Is it my mother?’

‘Yes,’ Father said, ‘it must be.’

A sombre expression creased Yao Qi's face as he remained standing at the door, one foot in, one foot out, neither this nor that, a sort of androgynous stance.

‘Lao Luo,’ he said heavily, ‘I'm glad you're back. I'll come by to see you in a couple of days. There's something important I want to talk to you about.’

With that he was gone; the door slid shut, keeping the clean, snow-injected air outside and thickening the foul air inside. Our sneezing contest over, Jiaojiao and I were more or less acclimated to the smell of the shop. The barber wasn't there at the moment but I knew she'd just left, because the minute I walked in the door I spotted something in the corner that looked like one of those public telephone booths I'd seen in town. A woman in a purple coat was sitting under a semi-circular canopy, her neck stiff and her head covered with brightly coloured curlers. She looked a bit like an astronaut, a bit like a rice-sprout girl at a New Year's celebration and a bit like Pidou's niang. Actually, that's who she was. Pidou's dieh was the butcher Big Ear, which made Pidou's niang Big Ear's wife. There was just one thing that kept her from looking exactly like Pidou's niang: I hadn't seen her for a long time and now she was sort of puffy, as if she had a meatball tucked in each cheek. I remembered her as having full eyebrows that swept across her forehead, the Goddess of Bad Luck. But she'd plucked them bare and replaced them with thin pencilled lines of green and red like caterpillars that dine on sesame leaves. She sat there holding a picture book in her hands, held as far out as her arms could reach—she was obviously farsighted. She hadn't looked up once since we entered, in the affected manner of a noblewoman who ignores a beggar. Shit! What are you but a self-satisfied, stinking old hag! No matter what you do—you could pull out every hair on your head, you could peel the skin from your face and you could colour your lips redder than pig's blood—you'd still be Pidou's niang and a butcher's old lady! Go ahead, ignore us—we can do the same to you! I sneaked a look at Father, who sat there remote and indifferent, quite aloof, actually, as distant as the sky on a cloudless day, as unapproachable as the head monk in a Shaolin Temple, as detached as a red-capped crane in a flock of chickens, as standoffish as a camel in a herd of sheep…The barber-chair was unoccupied, a soiled white smock

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