Pow! - By Mo Yan Page 0,49

Had all their beautiful, ambrosia-scented meat already wound up in someone else's stomach? How would I know? One sniff told me that the meat in that man's basin was beef and cow entrails, and that it had been injected with a large amount of food colouring and formaldehyde, which made it look fresh from the slaughterhouse and smell quite wonderful. My gaze sidled over to it, like a fishhook, aiming to snatch a piece. But my body was in the grip of my mother and being reluctantly dragged to the waiting-room door.

It was one of those spring doors that had been out of fashion for more than a decade. You had to fight to get it open, which it did at last and with a loud clang. When you let go, it sprang shut and then bounced right back—if you hadn't moved away, it would slam into your backside and make you stumble if you were lucky and knock you to the floor if you weren't. I pulled the door open for Mother, then leapt in behind her; by the time the door slammed shut I was safely inside, ruining the crafty door's plan to send me flying.

I immediately spotted Father and the pretty girl he and Aunty Wild Mule had created—my little sister. Thank God they hadn't left yet.

Someone—I don't know who—flings a bloody, foul-smelling army uniform through the door, and it lands between the Wise Monk and me. I stare at the ominous object, startled, and wonder what's going on. There's a coin-sized hole in the uniform, right where the rank smell is the strongest. I also detect the faint odour of gunpowder and cosmetics. Something white is tucked into one of the pockets. A silk scarf? Filled with curiosity, I reach out to touch it but just then a pile of mud and rotting reeds, loosened by shards of roof tile, falls from the sky and covers the bloody clothes, and there, between the Wise Monk and me, a tiny grave is created. I look into the rafters, where a sun-drenched skylight has broken through the blackness. I'm terrified that this temple, forgotten by the world, is about to come crashing down, and I begin to fidget. But the Wise Monk doesn't budge, having regulated his breathing so as to appear absolutely still. The haze outside has cleared and bright sunlight covers the ground, turning the dampness in the yard into steam. The leaves on the gingko tree have an oily sheen, radiating life. A tall man in an orange leather jacket, drab olive wool pants and bright red calfskin knee-length boots, his hair parted in the middle, wearing a pair of small, round sunglasses and gripping a cigar between his teeth, materializes in the courtyard.

POW! 13

The man stands straight and stiff; his dark skin, with its reddish glow, reminds me of one of those arrogant yet brave US army officers you see in war films. But he's not one of those—he's Chinese through and through. And the second he opens his mouth to speak I can tell he's a local. Despite his familiar accent, his clothes and the way he moves tell me there's something mysterious about his origins, that he's no ordinary man. He's been around. Compared to him, our resident VIP, Lao Lan, looks like a country bumpkin. (As I think this I can almost hear Lao Lan say: ‘I know those urban petty bourgeois look down on us, think we're a bunch of country bumpkins. Crap! Just who are they calling country bumpkins? My third uncle was a pilot in the Chinese Air Force, a drinking buddy of Chennault, the Flying Tigers leader. Back when most Chinese hadn't even heard about the US, my third uncle was making love to an American woman. How dare they call us bumpkins?’) The man walks up to the temple and smiles, a mischievous, childlike gleam in his eyes. I feel as if I know him, that we're close. He unzips his pants and aims a stream of piss at the temple door, and some of the drops splash onto my bare feet. The man's tool does not suffer in comparison with that of the Horse Spirit behind the Wise Monk. He must be trying to humiliate us, but the Wise Monk doesn't so much as twitch; in fact, a barely perceptible smile appears on his face. There's a direct line between his face and the man's tool, while I can only see it out of the

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