The Passage - By Justin Cronin Page 0,42

rest, and, of course, what happened in Iran or Iraq or whichever it was, the whole economy had locked up like a bad transmission. With his knees and the smoking and the thing on his record, no goddamn way they were taking Grey in Homeland, or anywhere else. He’d been out of work most of a year when he’d gotten the call. He’d thought for sure it was more rig work, maybe for some foreign supplier. They’d somehow made it sound that way without actually saying it, and he was surprised when he’d driven to the address and found it was just an empty storefront in an abandoned strip mall near the Dallas fairgrounds, with white soap smeared on the windows. The place had once housed a video store; Grey could still make out the name, Movie World West, in a ghostly formation of missing letters on the grimy stucco over the door. The place next to it had been a Chinese restaurant; another, a dry cleaner’s; the rest, you couldn’t say. He’d driven up and down in front a couple of times, thinking he must have had the address wrong and reluctant to climb from the air-conditioned cab of his truck for some pointless goose chase, before he’d stopped. It was about a hundred degrees out, typical for August in north Texas but still nothing you could ever get used to, the air thick and dirty-smelling, the sun gleaming like the head of a hammer coming down. The door was locked but there was a buzzer; he rang and waited a minute as the sweat started to pool under his shirt, then heard a big ring of keys jangling on the other side and the clunk of the unlocking door.

They’d set up a little desk and a couple of file cabinets in the back; the room was still full of empty racks that had once held DVDs, and a lot of tangled wires and other junk was hanging from open spaces in the droppanel ceiling. Leaned against the rear wall of the store was a life-size cardboard figure, coated with a film of dust, of some movie star Grey couldn’t place, a bald black dude in wraparounds, with biceps that bulged under his T-shirt like a couple of canned hams he was trying to smuggle out of a supermarket. The movie was nothing Grey remembered, either. Grey filled out the form but the people there, a man and a woman, barely seemed to look at it. While they typed into the computer they asked him to pee in a cup and then gave him a polygraph, but that was standard stuff. He did his best not to feel like he was lying even when he was telling the truth, and when they asked him about the time he’d done at Beeville, as he knew they would, he told them the story straight out: no way to hide it with the wires, and it was a matter of record besides, especially in Texas, with the website you could go to and see everybody’s faces and all the rest. But even this seemed not to be a problem. They seemed to know a lot about him already, and most of their questions had to do with his personal life, the stuff you couldn’t learn except by asking. Did he have friends? (Not really.) Did he live alone? (When hadn’t he?) Did he have any living family? (Just an aunt in Odessa he hadn’t seen in about twenty years and a couple of cousins he wasn’t even sure he knew the names of.) The trailer park where he was living, up in Allen—who were his neighbors? (Neighbors?) And so on, in that vein. Everything he told them seemed to make them happier and happier. They were trying to hide it, but you could see it on their faces, plain as the words in a book. When he decided they weren’t police, he realized he’d been thinking maybe they were.

Two days later—by which time he realized he’d never learned the names of the man and the woman, couldn’t even have said what they looked like—he was on the plane to Cheyenne. They’d explained the money and the part about not being able to leave for a year, which was all right by him, and made it clear that he shouldn’t tell anybody where he was going, which, in fact, he couldn’t; he didn’t know. At the airport in Cheyenne he was met by