The Passage - By Justin Cronin Page 0,403

them, what did it matter to him?

Theo advanced slowly down the trace, the shotgun clenched under one arm while, with the other, he swept the area with the light of his lantern. If it started to rain in earnest, he didn’t think he’d be able to keep the thing lit. That goddamn dog, he thought. Now was not the time for him to run off like this.

“Conroy, damnit, where did you go?”

Theo found him lying at the base of the last house. He knew at once the dog was dead. His slender body was still, his silvery mane drenched in blood.

Then, coming from the house—the sound traveling with an arrow’s swift assurance to pierce his mind with terror—he heard Mausami scream.

Thirty steps, fifty, a hundred: the lantern was gone, dropped on the ground by Conroy’s body, he was racing through the dark in his unlaced boots, first one and then the other launching off his feet. He hit the porch at a leap, ripped open the door, and dashed up the stairs.

The bedroom was empty.

He tore through the house, calling her name. No sign of a struggle; Maus and the baby had simply vanished. He raced through the kitchen and out the back, just in time to hear her scream again, the sound strangely muted, as if rising toward him through a mile of water.

She was in the barn.

He entered at a dead sprint, bursting through the door, spinning his body to sweep the dark interior with the shotgun. Maus was in the backseat of the old Volvo, clutching the baby to her chest. She was waving frantically, her words muffled by the thickness of the glass.

“Theo, behind you!”

He turned and as he turned the shotgun was knocked away, slapped like a twig from his hands. Then something grabbed him, not any single part but the whole of him, Theo entire; he felt himself lifted up. The car with Mausami and the baby in it was somewhere below him and he was flying through the dark. He hit the hood of the car with a crunch of buckling metal, rolling, tumbling; he landed face-up on the ground and came to a stop but then something, the same something, grabbed him, and he was flying again. The wall, this time, with its shelves of tools and stores and cans of fuel. He hit it face-first, glass exploding, wood splintering, everything falling in a clattering rain; as the ground rose to meet him, slowly and then quickly and finally all at once, he felt a crunch of bone.

Agony. Stars filled his vision, actual stars. The thought reached him, like a message from some distant place, that he was about to die. He should be dead already. The viral should have killed him. But this would happen soon enough. He could taste blood in his mouth, feel it stinging his eyes. He was lying face-down on the floor of the barn, one leg, the broken one, twisted under him; the creature was above him now, a looming shadow, preparing to strike. It was better this way, Theo thought. Better that the viral should take him first. He didn’t want to watch what would happen to Mausami and the baby. Through the murk of his battered brain, he heard her calling out to him.

Look away, Maus, he thought. I love you. Look away.

XI

THE

NEW THING

To me, fair friend, you never can be old,

For as you were when first your eye I ey’d,

Such seems your beauty still.

—SHAKESPEARE,

Sonnet 104

SEVENTY-ONE

They came down the mountain as the river was thawing, riding on top of the snow. They came down as one, wearing their packs, brandishing blades. They came down to the valley, Michael at the wheel of the Sno-Cat with Greer beside him, the others up top, the wind and sun in their faces. They came down at last, into the wild country they had reclaimed.

They were going home.

They had been on the mountain one hundred and twelve days. In all that time they had seen not a single viral. For days after they had crossed the ridge, the snow had poured down, sealing them inside the lodge of the old hotel. A great stone building, its doors and windows covered by sheets of plywood, set into the frame with heavy screws. They had expected to find bodies inside but the place was empty, the furniture around the hearth of its cavernous front room draped in ghostly white sheets, the larder of its vast kitchen stocked with every kind