The Passage - By Justin Cronin Page 0,16

itself to death like a package of peas in a microwave. He hated the boots and the belt buckles and the way people talked, y’all this and y’all that, as if they spent the day ropin’ and ridin’, not cleaning teeth and selling insurance and doing the books, like people did everywhere.

Most of all, he hated it because his parents had made him live here, back in junior high. Wolgast was forty-four, still in decent shape but with the miscellaneous aches and thinning hair to show for it; sixth grade was long ago, nothing to regret, but still, driving with Doyle up Highway 59 north from Houston, springtime Texas spread all around, the wound felt fresh to him. Texas, state-sized porkchop of misery: one minute he’d been a perfectly happy kid in Oregon, fishing off the pier at the mouth of the Coos River and playing with his friends in the woods behind their house for endless, idle hours; the next he was stuck in the urban swamp of Houston, living in a crappy ranch house without a scrap of shade, walking to school in one-hundred-degree heat that felt like a big shoe coming down on his head. The end of the world, he’d thought. That’s where he was. The end of the world was Houston, Texas. On his first day of sixth grade, the teacher had made him stand up to recite the Texas Pledge of Allegiance, as if he’d signed up to live in a whole different country. Three miserable years; he’d never been so glad to leave a place, even the way it happened. His father was a mechanical engineer; his parents had met when his father had taken a job the year after college as a math teacher on the reservation in Grande Ronde, where his mother, who was half Chinook—her mother’s family name was Po-Bear—was working as a nurse’s aide. They’d gone to Texas for the money, but then his father was laid off when the oil bust hit in ’86; they tried to sell the house but couldn’t, and in the end, his father had simply dropped the keys off at the bank. They moved to Michigan, then Ohio, then upstate New York, chasing little bits of work, but his father had never righted himself after that. When he’d died of pancreatic cancer two months before Wolgast graduated from high school—his third in as many years—it was easy to think that Texas had somehow done it. His mother had moved back to Oregon, but now she was gone too.

Everyone was gone.

He’d gotten the first man, Babcock, from Nevada. Others came from Arizona and Louisiana and Kentucky and Wyoming and Florida and Indiana and Delaware. Wolgast didn’t care much for those places, either. But anything was better than Texas.

Wolgast and Doyle had flown into Houston from Denver the night before. They’d stayed the night at a Radisson near the airport (he’d considered a brief side trip into the city, maybe tracking down his old house, but then wondered what in hell he’d want to do a thing like that for), picked up the rental car in the morning, a Chrysler Victory so new it smelled like the ink on a dollar bill, and headed north. The day was clear with a high, blue sky the color of cornflowers; Wolgast drove while Doyle sipped his latte and read the file, a mass of paper resting on his lap.

“Meet Anthony Carter,” Doyle said, and held up the photo. “Subject Number Twelve.”

Wolgast didn’t want to look. He knew just what he’d see: one more slack face, one more pair of eyes that had barely ever learned to read, one more soul that had stared into itself too long. These men were black or white, fat or thin, old or young, but the eyes were always the same: empty, like drains that could suck the whole world down into them. It was easy to sympathize with them in the abstract, but only in the abstract.

“Don’t you want to know what he did?”

Wolgast shrugged. He was in no hurry, but now was as good a time as any.

Doyle slurped his latte and read: “Anthony Lloyd Carter. African American, five foot four, a hundred and twenty pounds.” Doyle looked up. “That explains the nickname. Take a guess.”

Already Wolgast felt tired. “You’ve got me. Little Anthony?”

“You’re showing your age, boss. It’s T-Tone. T for ‘Tiny,’ I’m thinking, though you never know. Mother deceased, no dad in the picture from day one, a