their curling, crimson barks. Bay laurels rim the logger-made meadows. Canyons thicken with orange madrone peeling to creamy, clammy green. Coast live oaks like the one that crippled him gather on the crags. And down in cool riparian corridors smelling of silt and decaying needles, redwoods work a plan that will take a thousand years to realize—the plan that now uses him, although he thinks it’s his.
PATRICIA WESTERFORD
IT’S 1950, and like the boy Cyparissus, whom she’ll soon discover, little Patty Westerford falls in love with her pet deer. Hers is made of twigs, though it’s every bit alive. Also: squirrels from pairs of glued walnut shells, bears made of sweetgum balls, dragons from the pods of Kentucky coffee trees, fairies donning acorn caps, and an angel whose pine-cone body needs only two holly leaves for wings.
She builds these creatures elaborate homes with pebbled front walks and mushroom furniture. She sleeps them in beds fitted with magnolia-petal comforters. She watches over them, the guiding spirit of a kingdom whose towns nestle behind closed doors in the burls of trees. Knotholes turn into louvered windows, through which, squinting, she can see the inviting parlors of woody citizens, the lost kin of humans. She lives there with her creatures in the minuscule architecture of imagination, so much richer than the offerings of full-sized life. When her tiny wooden doll’s head twists off, she plants it in the garden, certain it will grow another body.
All her twig creatures can talk, though most, like Patty, have no need of words. She herself said nothing until past the age of three. Her two older brothers interpreted her secret language for their frightened parents, who began to think she must be mentally deficient. They brought Patty into the clinic in Chillicothe for tests that revealed a deformation of the inner ear. The clinic fitted her with fist-sized hearing aids, which she hated. When her own speech started to flow at last, it hid her thoughts behind a slurry hard for the uninitiated to comprehend. It didn’t help that her face was sloped and ursine. The neighbors’ kids ran from her, this thing only borderline human. Acorn people are so much more forgiving.
Her father alone understands her woodlands world, as he always understands her every thickened word. She has a pride of place with him that the two boys accept. With them, Dad may throw softballs and tell bubble-gum wrapper jokes and play tag. But he reserves his best gifts for his little plant-girl, Patty.
Their closeness bothers her mother. “I ask you. Has there ever been such a little nation of two?”
Bill Westerford takes Patricia with him when he visits southwestern Ohio farms on his tours as an ag extension agent. She rides copilot in the beaten-up Packard with the pine side paneling. The war is over, the world is on the mend, the country is drunk on science, key to better living, and Bill Westerford takes his daughter out to see the world.
Patty’s mother objects to the trips. The girl should be in school. But her father’s soft authority prevails. “She won’t learn more anywhere than she will with me.”
Mile after plowed mile, they hold their roving tutorial. He faces her so she can read his moving lips. She laughs at his stories —thick, slow booms—and stabs enthusiastic answers to each of his questions. Which is more numerous: the stars in the Milky Way or the chloroplasts on a single leaf of corn? Which trees flower before they leaf, and which flower after? Why are the leaves at the top of trees often smaller than those at the bottom? If you carved your name four feet high in the bark of a beech tree, how high would it be after half a century?
She loves the answer to that last one: Four feet. Still four feet. Always four feet, however high the beech tree grows. She’ll love that answer still, half a century later.
In this way, acorn animism turns bit by bit into its offspring, botany. She becomes her father’s star and only pupil for the simple reason that she alone, of all the family, sees what he knows: plants are willful and crafty and after something, just like people. He tells her, on their drives, about all the oblique miracles that green can devise. People have no corner on curious behavior. Other creatures—bigger, slower, older, more durable—call the shots, make the weather, feed creation, and create the very air.
“It’s a great idea, trees. So great that evolution