Once on a Moonless Night - By Dai Sijie Page 0,86

been the outlet for the Brahmaputra, and the history of Tibet, China, Burma, India and Bengal—all of which the Brahmaputra flows through—would probably need rewriting.

NOTES MADE BY TUMCHOOQ: It’s so hard to know how to start! Not because these are notes about notes but because I don’t know what name to give the author of these notes, a man whose surname—with its seven letters, its apostrophe and its accent—could have been my own. (I remember the first time I ever saw that name. I was twelve and living in the reform school I’d been sent to after the incident in the Forbidden City when I nearly killed my best friend in that strangling cage. A guard took me to an office, where my mother was allowed to visit me. She wrote the name on a piece of paper without a word. I was just a child at the time, and I gazed for several minutes at those unfamiliar, foreign letters with their graphic signs above the vowels, and, even though I would have had no idea how to pronounce them, like the letters of a dead language, I still knew they made up your name. She tried to pronounce it, several times, and did succeed, although her voice was almost stifled by sobs. The word was barely audible, uttered so tentatively, like a distant echo, and I was bowled over, not only by the strange sound of it but also by its dramatic, not to say tragic, quality.)

Now, as I try to write these notes with my thoughts going round in circles and my pen still hesitating, a text from the Satyasiddhi-Sutra has come back to me. It’s a fourth-century text published by the printing press-monastery in Pagan around the twelfth century; fragments of it in Pali were found in the vestiges of a stupa in Pagan and were carefully preserved, like a saints sacred bones, or his teeth, his coat or his alms bowl, for which a king would pay an astronomical price only to put them in a reliquary, bury that deep underground and build a stupa as extraordinary as a pyramid over the top of it. I’ve often thought about the theory put forward by Harivarman, the author of the Satyasiddhi-Sutra, who was a Brahman before his conversion to Buddhism, a theory which can essentially be summed up in this sentence: “All that it takes to achieve Nirvana is to recognise the unreality of things and the unreality of self.”

Being an old Buddhist, as you have been for decades, I would be surprised if you hadn’t read this text in its original Sanskrit version, and probably in the Pali version. You are also likely to know the Chinese version with which I wanted to make a comparative reading and which is infinitely longer because it’s interspersed with the personal interpretations of its eminent translator, Kumarajiva, who introduced the Mahayana doctrine to China and translated some forty sutras from that school of thought. The fact that he worked on a Hinayana text shortly before his death, and the miracle of his tongue resisting incineration, helped increase the fame of this magisterial work. Here is his translation:

Things do not really exist, neither do knowledge, the possession of things, physical form, the body, nor the representation of an individual, but what does have a real existence is the name denoting its abstract unity, for a name is, in fact, the absolute that exists in the intimate heart of man, as it is at the centre of the universe. And all that it takes to find salvation is to recognise that fact. Anyone who, understanding this, turns for support to the extreme intelligence of the Bodhisattvas is then freed from his name and, from that moment on, is delivered not only of his own body, but also from the order of time. He attains total annihilation and is therefore, so to speak, a Buddha in a state of utter “Awakening.”

This reminds me of your last wish, a sort of farewell that you dictated to me when you were gripped by a final surge of energy and suddenly emerged from the deep coma you had been in, following your lynching at the hands of the camp prisoners. “Listen,” you said, “I don’t want anything on my grave; nothing but a blank space, a gap, not my name or any dates.”

Why that denial of your name? It strikes me as much as a sign of protest as a philosophical principle, which meant you

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