Once on a Moonless Night - By Dai Sijie Page 0,83

group of animals standing back to back, reminiscent of the pillars erected by Emperor Ashoka to be carved with his moral edicts. The royal palace and capital are enclosed within a wall of brick covered in green enamel, ringed with a moat, punctuated by twelve doors and fortified with towers at each corner.

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IN A LUMBERING YELLOW BUS GROANING with chickens, pigs and human passengers, some of whom clung in clusters to the door like dark caterpillars on the skin of a ripe mango, I made my way to Prome, where a scooter taxi took me on to Maungun. From there I continued on foot with a local guide. It had rained the night before and my dainty ankle boots sank pitifully into the muddy path between fields of sugarcane. Later, when we cut through a crop of maize, most of which had been harvested, the boots became so bogged down in the soil that I had to keep making jerking movements with my whole body to heave myself out as, step by difficult step, I drew closer to the last vestiges of the capital. Everything had disappeared: temples, stupas, walls, moats and palaces. All that remained of the entire city was the huge raw hunk of rock rising up in the middle of the fields, a block of pink sandstone of the most magnificent shape and colour, forming an alcove two and a half metres tall by ten wide in which a Buddha carved from the rock lay resting. It was a representation of what Buddhists call “Total Extinction,” the last of the four miracles of his final earthly existence (after “Birth,” “Awakening” and the “First Vow”).

The Buddha’s profile stood out against a delicately carved background, and I was struck not only by how beautiful he was, but by the breath of life which seemed to emanate from that resting body, a good proportion of which, perhaps a quarter, was already buried in the ground, having sunk lower and lower over the centuries. His clothing exposed his right shoulder, and where the cloth draped over his left arm it was carved in a series of folds, spaced apart to afford glimpses of his palpably supple, recumbent body. Life quivered in every fluid contour of his body right up to his head as it rested on his right elbow. His round face with its closed eyes expressed a contemplative serenity, while a tuft of hair between his eyebrows appeared to ripple in the breeze. His mouth had the barely perceptible hint of a smile and, like so many other details, I recognised the bulge on his head, where flames seemed to spring up between the flat coils of hair (according to legend, Buddha had two brains). Lastly I found a dozen or so ancient letters carved onto a background of clouds. They were so close to the Buddha’s left hand that, in his dreamlike state, he seemed to want to touch them.

I started to photograph them, but they wavered slightly in my viewfinder. All at once, in the blink of an eye, I thought I saw the Buddha’s left hand move, as if giving me a sign, but there were too few of those archaic words in Pyu for me to form any sort of opinion, least of all on the subject of an assassination which dated back all of fifteen centuries.

Once back in Rangoon I carried on with my investigations for a few more days, taking rickshaws through streets and neighbourhoods in search of traces of old trading links with Ceylon or legends about monks who translated sutras. One day when I was waiting for some administrative documents in the foyer of the French Embassy, I happened to go into the library and leaf through Auguste Pavie’s memoirs, although I was not sure what I hoped to find there. Granted, this telegrapher who became a hero for single-handedly and peacefully conquering what is now known as Laos warranted attention, but I found little of interest in his writing and was about to close the book when a passage leapt out at me and it felt as if clouds were breaking open to allow the sun’s beams down onto me:

In 1907 negotiations to determine the borders between Laos, Burma and Thailand brought together delegations from the three countries in Mandalay, the largest city in Upper Burma. In the pause between two exhausting sittings, I tried to go down the Irrawaddy by boat. Lo this day the rivers name alone conjures the

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