Once on a Moonless Night - By Dai Sijie Page 0,27

and which was of considerable interest to many scientists. On that particular day the “Song of the Sands,” as it was known, started as a muffled murmur and grew in volume until it merged with the engine noise of a plane passing over the dune at the same time. The plane flew on and disappeared, but not before dropping an ancient Chinese silk painting which floated through the air, twirled in the wind and landed, nonchalantly, close to the prince’s aviary, like a gift fallen from the skies. The son denied, not the episode in its entirety, but the nature of the object in question:

“It wasn’t a painting” [he corrected] “but half of a text, calligraphic signs on a torn piece of silk. I don’t know the origins of the signs and I can only find one way of describing them: tadpole signs with a huge head joined to a soft body, elongated with frail, squiggling limbs. A friend of my father’s, the exiled poet Zhang Zigang, examined the mutilated artefact and announced that it was a language he didn’t recognise written in horizontal form from right to left, unlike the Chinese language, and this was almost certainly a piece of immense value if not a priceless treasure, as was suggested not only by the great age of the cloth and the colour of the ink but, more significantly, by the seals of its successive owners above the text: two emperors of the Song dynasty, a prime minister of the Ming dynasty, a sovereign of the Qing dynasty, and Qianlong, whose Seal of the Five Joys of the Sons of Heaven (a very rare seal recognised only by his close entourage) proved the pleasure he had taken in owning the work.”

“Do you remember the aeroplane?”

“It was a Japanese plane.”

“Why do you say that?”

“It wasn’t a combat plane with an open cockpit, but the Japanese emblem painted in red became clearly visible as it glided lower and lower, going very slowly, just skimming the stunted trees.”

“Planes at the time looked like geometrid moths.”

“This one, with its earth-shaking, drumming engines, was like a winged monster suspended in the air, growling, furious. When this horrible monster darkened the sky over us, a young man in glasses opened the door while still in full flight. It seems far-fetched now but at the time you could open the doors of aeroplanes. His glasses were snatched by the wind straight away, the craft was thrown off balance and one wing dipped dangerously. The man didn’t seem to want to commit suicide, he was just brandishing something in his hand, as if to throw it out. The plane seemed to go into a sort of spasm, shuddering frighteningly, as if paralysed. All through the struggle that was going on inside the door stayed gaping open, then I saw the wheels of the landing gear peeling from the monster’s body like talons. That was when a shredded piece of silk flew out of the door and was swept away by the wind. Several other pieces of paper or silk flew down, and were carried off by another gust of wind. The pilot managed to right the plane but, as he attempted to regain height, he was heading straight for the side of a dune with the door now closed and the landing gear retracted; the whole incident or spell of madness hadn’t lasted more than a minute. The plane disappeared into the depths of the sky, not leaving a sound. And in that silence a ghost of transparent silk sketched a trail of white across the dusk, drifting on the wind with a nonchalant fluttering, and eventually landing on our cart with its empty aviary.”

The historian pointed out that when he wrote his book Seventy-one was still living in exile in Manchuria and was over eighty, a much greater age than his blind instructor had predicted for his demise. What had altered his fate? He had stopped his expeditions in his cart at the age of sixty-nine, that is, two years before the anticipated date of his death, on the day that he came into possession of the mutilated silk artefact, which he considered to be a gift from Heaven. “At last,” the oldest political prisoner in the world confided in his son, “I have received my rightful inheritance. I’ve been given back my legitimacy as a prince. Justice has been done to me.”

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I COULDN’T HAVE IMAGINED THAT THE greengrocer’s on Little India Street, where I spent more

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