In the night room Page 0,5

was in a furious hurry to reach adulthood.

April’s stubborn face, with its implacable cheekbones and tight mouth, reminded Tim of Pop’s uncomprehending rages at what he perceived as April’s defiance. No wonder she had fled into the mirror world of Alice and the Mad Hatter. A tavern-haunting elevator operator at the St. Alwyn Hotel supervised her life, and he found half of the things that ran through her mind unacceptable, irritating, obscurely insulting.

A second and a half later Tim was left with the fact of April’s face, narrower than he remembered, and the smallness of her body, the true childishness of the sister he had lost. All his old love for nine-year-old April Underhill awakened in him—she who had defended him when he needed defending, stuck up for him when he needed a champion, entranced him with the best stories he had ever heard. She, he realized, she should have been the writer! April had been his guide, and to the end. On her last day, she had preceded him into the ultimate Alice-world, the one beyond death, where, unable any longer to follow his best, bravest, and most tender guide all the way to her unimaginable destination, he had yielded to the forces pulling him back.

He wanted to tell her to get out of the rain.

April stepped forward on the crowded sidewalk, and Tim’s heart went cold with terror. His sister had swum back through the mirror to interrupt him on his way to breakfast. He feared that she intended to glide across the street, grasp his hand, and pull him into the SoHo traffic. She reached the edge of the pavement and raised her arms.

Oh no, she’s going to call to me, he thought, and I’ll have to go.

Instead of dragging him through the mirror, April brought her hands to the sides of her mouth, leaned forward, contracted her whole being, and, as loudly as she could, shouted through the megaphone of her hands. All Tim heard were the sounds of the traffic and the scraps of conversation spoken by the people walking past him.

His eyes stung, his vision blurred. By the time he raised his hands to flick away his tears, April had disappeared.

6

Guilderland Road, at the upper end of which lay Mitchell Faber’s expansive, densely wooded property, traversed an area on the southwestern slopes (so to speak) of Alpine, New Jersey, where not long after the Civil War the nearly invisible village of Hendersonia had been surgically detached from the more public borough of Creskill. In all aspects of life save the naming of places, the Hendersons of Hendersonia had presumably cherished obscurity as thoroughly as Mitchell Faber, for they had passed through history leaving behind no more than a scattering of barely legible headstones in the postage-stamp graveyard at the lower end of the road. Farther down the hill, the cement-block bank, an abandoned Presbyterian church, a private house turned into an insurance agency, a video and DVD rental shop, and a bar and grill called Redtop’s made up the center of town. The previous summer, a Foodtown grocery store had taken over an old bowling alley in a paved lot one block south, and Willy promised herself that from now on she would do her shopping there.

She was still finding her way around, still trying to get into a routine. It had been only two weeks since Mitchell had succeeded in persuading her to abandon her cozy one-bedroom apartment on East Seventy-seventh Street for the “estate.” They were to be married in two months, why not start living together now? They were adults of thirty-eight and fifty-two (a young fifty-two), alone in the world. Let’s face it, Mitchell said one night, you need me. She needed him, and he wanted her as extravagantly as someone like Mitchell Faber could ever want anything—dark, frowning Mitchell summoning her into his embrace, promising to make sure the bad things never got close to her again. The “estate” would be perfect for her, he said, a protective realm, as Mitchell himself was a kind of protective realm. And large enough to provide separate offices for both of them, because he wanted to spend more time at home and she needed what all women, especially women who wrote books, needed: A Room of Her Own.

When Willy had met Mitchell Faber, he amazed her by knowing not only that her third YA novel, In the Night Room, had just won the Newbery Medal, but also that its setting, Mill Basin,