The Night Fire (Harry Bosch #22) - Michael Connelly Page 0,57

She didn’t know whether to go right or left until she heard a voice say, “Back here.”

It was to the left. She found an open door and saw Judge Billy Thornton standing next to a desk, pulling on his black robe for court.

“Come in,” he said.

Ballard entered. His chambers were just like the others she had been in. A desk area and a sitting area surrounded on three sides by shelves containing legal volumes in leather bindings. She assumed it was all for show, since everything was on databases now.

“A cold case, huh?” Thornton said. “How old?”

Ballard spoke as she opened her backpack and pulled out the file.

“Nineteen-ninety,” she said. “We have a suspect and want to stimulate a wire, get him talking about the case.”

She handed the file to Thornton, who took it behind his desk and sat down. He read through the pages without taking them out of the folder.

“My clerk said there is a time element?” he said.

Ballard wasn’t expecting that.

“Uh, well, he’s a gang member and we’ve talked to some others in the gang about the case,” she said, improvising all the way. “It could get back to him before we have a chance to go in and stir things up, get him talking on the phone.”

Thornton continued reading. Ballard noticed a black-and-white photo of a jazz musician framed on the wall next to the coatrack, where a judge’s spare robe hung. Thornton spoke as he appeared to be reading the third page of the document.

“I take wiretap requests very seriously,” he said. “It’s the ultimate intrusion, listening to somebody’s private conversations.”

Ballard wasn’t sure if she was supposed to respond. She thought maybe Thornton was speaking rhetorically. She answered anyway in a nervous voice.

“We do, too,” she said. “We think this is our best chance of clearing the case—that if prompted, he’ll check in with his gang associates and admissions of culpability might be made.”

She was quoting the document Thornton was reading. He nodded while keeping his eyes down.

“And you want text messaging on the cell phone,” he said.

“Yes, sir, we do,” Ballard said.

When he got to the sixth page she saw him shake his head once and she began to think he was going to reject the application.

“You say this guy was high up in the gang,” Thornton said. “Even back at the time of the killing he was high up. You think he did the actual killing?”

“Uh, we do, yes,” Ballard said. “He was in a position to order it done, but because of the possible embarrassment of the situation, we think he did it himself.”

She hoped the judge wouldn’t ask who “we” constituted, since she was working the case alone at this point. Bosch was out of the department, so he didn’t count.

He got to the last page of text, where Ballard knew she was grabbing at straws in support of probable cause.

“This sketchbook mentioned here,” the judge said. “Do you have that with you?”

“Yes, sir,” Ballard said.

“Let me take a look at it.”

“Yes, sir.”

Ballard reached into her backpack, pulled out John Hilton’s prison sketchbook, and handed it across the desk to Thornton.

“The sketch referred to in the warrant is marked with the Post-it,” she said.

She had marked only one drawing because the second drawing was not as clearly recognizable as Kidd. Thornton leafed through the book rather than going directly to the marker. When he finally got there, he studied the full-page drawing for a long moment.

“And you say this is Kidd?” he asked.

“Yes, Your Honor. I have photos of him from that time—mug shots—if you want to see them.”

“Yeah, let me take a look.”

Ballard returned to the backpack while the judge continued.

“My concern is that you’re making a subjective conclusion that, first, this drawing is of Kidd and, second, that the drawing implies some sort of prison romance.”

Ballard opened her laptop and pulled up the photos of Kidd taken while he was in Corcoran. She turned the screen to the judge. He leaned in to look closely at the photos.

“You want me to enlarge them?” Ballard asked.

“That’s not necessary,” the judge said. “I concede that that is Mr. Kidd. What about the romantic relationship? You don’t have proof of that, other than to say you can see it in this drawing. Hilton might have just been a good artist.”

“I see it in the drawing,” Ballard said, maintaining her ground. “Plus you have the victim’s roommate confirming that he was gay and that he was fixated on someone. You have the fact