Neuromancer - William Gibson Page 0,28

the herring and crackers aside. “I did a deal with Larry, on the side.”

“Smart,” the Finn said. “It’s an AI.”

“Slow it down a little,” Case said.

“Berne,” the Finn said, ignoring him. “Berne. It’s got limited Swiss citizenship under their equivalent of the Act of ’53. Built for Tessier-Ashpool S.A. They own the mainframe and the original software.”

“What’s in Berne, okay?” Case deliberately stepped between them.

“Wintermute is the recognition code for an AI. I’ve got the Turing Registry numbers. Artificial intelligence.”

“That’s all just fine,” Molly said, “but where’s it get us?”

“If Yonderboy’s right,” the Finn said, “this AI is backing Armitage.”

“I paid Larry to have the Moderns nose around Armitage a little,” Molly explained, turning to Case. “They have some very weird lines of communication. Deal was, they’d get my money if they answered one question: who’s running Armitage?”

“And you think it’s this AI? Those things aren’t allowed any autonomy. It’ll be the parent corporation, this Tessle . . .”

“Tessier-Ashpool S.A.,” said the Finn. “And I got a little story for you about them. Wanna hear?” He sat down and hunched forward.

“Finn,” Molly said. “He loves a story.”

“Haven’t ever told anybody this one,” the Finn began.

THE FINN WAS a fence, a trafficker in stolen goods, primarily in software. In the course of his business, he sometimes came into contact with other fences, some of whom dealt in the more traditional articles of the trade. In precious metals, stamps, rare coins, gems, jewelry, furs, and paintings and other works of art. The story he told Case and Molly began with another man’s story, a man he called Smith.

Smith was also a fence, but in balmier seasons he surfaced as an art dealer. He was the first person the Finn had known who’d “gone silicon”—the phrase had an old-fashioned ring for Case—and the microsofts he purchased were art history programs and tables of gallery sales. With half a dozen chips in his new socket, Smith’s knowledge of the art business was formidable, at least by the standards of his colleagues. But Smith had come to the Finn with a request for help, a fraternal request, one businessman to another. He wanted a go-to on the Tessier-Ashpool clan, he said, and it had to be executed in a way that would guarantee the impossibility of the subject ever tracing the inquiry to its source. It might be possible, the Finn had opined, but an explanation was definitely required. “It smelled,” the Finn said to Case, “smelled of money. And Smith was being very careful. Almost too careful.”

Smith, it developed, had had a supplier known as Jimmy. Jimmy was a burglar and other things as well, and just back from a year in high orbit, having carried certain things back down the gravity well. The most unusual thing Jimmy had managed to score on his swing through the archipelago was a head, an intricately worked bust, cloisonné over platinum, studded with seedpearls and lapis. Smith, sighing, had put down his pocket microscope and advised Jimmy to melt the thing down. It was contemporary, not an antique, and had no value to the collector. Jimmy laughed. The thing was a computer terminal, he said. It could talk. And not in a synth-voice, but with a beautiful arrangement of gears and miniature organ pipes. It was a baroque thing for anyone to have constructed, a perverse thing, because synth-voice chips cost next to nothing. It was a curiosity. Smith jacked the head into his computer and listened as the melodious, inhuman voice piped the figures of last year’s tax return.

Smith’s clientele included a Tokyo billionaire whose passion for clockwork automata approached fetishism. Smith shrugged, showing Jimmy his upturned palms in a gesture old as pawn shops. He could try, he said, but he doubted he could get much for it.

When Jimmy had gone, leaving the head, Smith went over it carefully, discovering certain hallmarks. Eventually he’d been able to trace it to an unlikely collaboration between two Zurich artisans, an enamel specialist in Paris, a Dutch jeweler, and a California chip designer. It had been commissioned, he discovered, by Tessier-Ashpool S.A.

Smith began to make preliminary passes at the Tokyo collector, hinting that he was on the track of something noteworthy.

And then he had a visitor, a visitor unannounced, one who walked in through the elaborate maze of Smith’s security as though it didn’t exist. A small man, Japanese, enormously polite, who bore all the marks of a vatgrown ninja assassin. Smith sat very still, staring into the