Necroscope V Deadspawn - By Brian Lumley Page 0,147

and went out into the night.

At first, to anyone watching, it would appear that he'd been heading for the gents' toilets, but as he passed close to the swinging glass doors of the exit he turned sharply and pushed through them -

- And as soon as he was outside crouched down, breathed a mist and moved wraithlike between the cars ranked like soldiers on the hard-standing. His Wamphyri senses guiding him, he went straight to the unmarked police car and approached it from the rear. There was a driver, a plain-clothes policeman, with one elbow on the sill and a cigarette dangling from his lips where he sat silhouetted in a steel frame, looking out of his wound-down window into the darkness and breathing the mild night air.

Exuding fog, the Necroscope moved like a low-slung spider - performed a weirdly loping limbo - to draw silently alongside the car. And then he stood up.

The policeman's jaw fell open in a gasp of astonishment as a shadow, coming from nowhere, blocked out the stars and flowed over him; his cigarette flew as the Necroscope hit him once, hard enough to send him sprawling across the front passenger seat.

He was out like a light - or like his cigarette, which Harry ground under his heel. Then he reached inside the car and snapped the key in half in the ignition. So much for that: they wouldn't be following Johnny - or Harry -anywhere in this car. But to be doubly sure he took out Pound's steel-tube knife and drove it into the wall of a tyre until it hissed air and sagged down on to its rim. But as he began to straighten up he glanced into the back of the car and froze.

The Necroscope's eyes were attuned to the night, which was his element. He could see into the back of the car just as clearly as in broad daylight. And there on the back seat, a bulky, ugly, dark-snouted shape which Harry knew at once: a flamethrower. And on the floor back there, the blued-steel glitter of a pair of loaded crossbows. Loaded crossbows!

Harry hissed and crouched down into himself. They were ready for him, all of them. It must be coming soon. Perhaps sooner than he'd anticipated. Bastards! And he was the one who'd showed them how!

He attacked a second tyre and grunted his satisfaction as it collapsed into extinction, then moved round the car and did a third. Following which he paused and drew a ragged breath, and forced himself to be calm, calm...

He was trembling, but only trembling. No more hissing, snarling. Mere moments of violence, but they had acted as a safety valve on Harry's awful pressure. As his mist began to thin he sighed his relief, stood more humanly erect, put away the knife and headed back towards the diner...

Mere moments - less than two, three minutes at most -but more than sufficient time that the menace of Johnny Found had got to Penny, cancelling her former resolve to 'be OK'. For she had known from the moment Harry left the glass doors swinging behind him and disappeared into the night that she would not be OK, not in the same enclosed space as this monster, not with fifty or five hundred people around her.

Mere moments, yes, but enough time for Johnny to make up his mind that Penny would be The One. Obviously the guy with the dark glasses hadn't been with her after all, and now she was on her own. What was more, she was aware that Johnny was interested; he could feel her avoiding his eyes, even avoiding his thoughts, his existence. And suddenly he wondered: Does she know me? But how could she possibly know him? What the fuck was going on here, anyway?

He put aside his plate and placed his hands on the table, palms down, as if to push himself to his feet. And all the while he stared at Penny, willing her to look his way. She was looking his way, however obliquely, and saw him slowly rising. All the colour fled from her face as she too rose, slid out of her booth, backed away from him. She collided with a fat man with a tray and sent milk, hot food, bread rolls flying.

Johnny paced after her, smiling a deliberately feigned, surprised smile. It was as if he were saying 'What's wrong? Did I startle you?' Anyone watching would think: what on earth is wrong with

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