Murder and Salutations - By Elizabeth Bright Page 0,76
wife and continued to tell wild stories in the bars about Al Capone that few believed. An old friend, sportswriter Oscar Fraley, embellished those stories in his highly fictionalized account of Ness’s life, The Untouchables, which made Ness an American legend. But Ness didn’t live to see the book. In May 1957, he walked back to his small-town apartment from the liquor store with another whiskey bottle and died of a heart attack at the kitchen sink, at the age of fifty-four. It was said the Butcher had taken yet another victim.
The subject seemed “graphic” to the Times reporter. Philadelphia boasted “enough bizarre killings . . . to keep a full house at the morgue and make homicide detectives and medical examiners wish they could get away from it all,” he said, marveling that “when some of them do take a break, they like to sit back and listen to the one about the Cleveland torso murders.”
Adding to the sense of drama in the room, the case would be presented by two renowned investigators from sharply different traditions that were increasingly in conflict. Philadelphia homicide captain Frank Friel was an old-school, shoe-leather detective, rooted in the solid nineteenth-century procedure of building a case from fact-gathering at the crime scene. He would be followed by forensic psychologist Richard Walter, one of a small group of pioneers who read bloodstains and patterns at murder scenes like Rorschach tests. At their best, they seemed to be wizards capable of reading a killer’s thoughts. It was a face-off between natural opponents—two proud, strong-willed figures who were oddly well matched, both tall, lean, and charismatic men who used wit to mask a fierce demeanor.
As lunch dishes were cleared, Friel opened the floor to questions. He challenged the Vidocqeans: Who was the Butcher of Cleveland? Fleisher was delighted. It was just the kind of forensic puzzle he had imagined. Could a college of top investigators surpass Eliot Ness? Could they solve the mystery of “The American Jack the Ripper”?
The question-and-answer period was brisk. Friel and others maintained that Ness correctly focused the investigation on cutting trades such as surgeons and butchers. “The principal characteristic of the assailant was that he decapitated the victims while they were still alive,” Friel said.
Customs agent Frank Dufner saw it as the work of an angry medical student. “Did anyone flunk out of medical school?” he asked.
The fact that the bodies were drained, did anyone consider an undertaker? a police officer asked.
Yes, Friel said, medical students and undertakers had been questioned.
“Seven out of twelve of the heads were not found,” Dufner continued. “Were they kept as trophies?” Friel couldn’t say.
Fleisher had scribbled in a notebook: undertaker, butcher, abattoir. But by the end of the presentation, he was convinced the surgeon, Dr. Sweeney, was the killer. “If Leonarde Keeler says he was the guy, he was the guy. Keeler was one of the inventors of the polygraph, and a master at it.”
While busboys removed the lunch plates, “the fact of the matter is, Eliot Ness did some good things, was a hero to an extent,” Walter said, “but was out of his depth in this case because of his limited knowledge in the 1930s of serial killers.”
Walter leaned in and said, sotto voce, “Of course, the FBI still doesn’t understand much of this, so we shouldn’t be so hard on Ness.” Several VSMs chuckled along with him.
To start, Walter said, Ness was mistaken to narrow the investigation to large, strong men and professionals or tradesmen expert with a knife. “You don’t have to be a butcher to carve someone into little pieces or an undertaker to drain them of blood. The fact of the matter is anyone can do it, and do it competently. You just have to want to.” He smiled coldly, and went on. “In addition the killer doesn’t have to be big or powerful. He can be a small man. All he has to be is clever. He gets them drunk, then he can do anything to them.”
Second, Walter said, Dr. Sweeney, Ness’s main suspect, “was a lousy choice to be the Butcher, for all the reasons that supposedly implicate him. He’s violent, alcoholic, schizophrenic. That makes him an asshole, but it doesn’t make him a sadist.” It was clear from the corpses that the Butcher of Cleveland was a sadistic serial killer, and Sweeney didn’t fit that profile.
“There’s a big qualitative difference between a guy who is just unpredictably violent, like Sweeney, and a guy who had a