Murder and Salutations - By Elizabeth Bright Page 0,156
conflict. “As it happens,” he said, “Apollo was the Greek god of detectives; Dionysus was the god of murder.” A man could not think clearly without recognizing both sides of his nature, could not unite them without art or music.
As he played he closed his eyes and saw a boy materialize. He was a small boy in a dark wood on a winter night and he was very cold. He was tied up, perhaps to a tree. The boy was shivering and naked but did not cry anymore. There was an old church in the distance and maybe the boy heard its bells ringing. The night was clear and filled with stars. He felt terrible pain but even stronger were things he not could name, fear, confusion, sweet pleading love, anger, degradation, terror. Maybe he tried to speak but it’s not likely he could get a word out by then. He was not alone. The person who loved the boy the most, who had always taken care of him, who bathed him and dressed him, was there with him now, too. He could smell him close, a large shadow smiling in the darkness, near enough now to blot out the stars. The boy might have screamed then but it was not likely.
This was what happened. Walter was certain of it. The hidden story told by the condition of the body and the crime scene was incontrovertible. Dozens of good men had gone to their graves, afraid to face it. That was OK. It was natural. This darkest of shadows was death itself and men could only live by turning away. “The truth is, the cops just didn’t want to know.”
He saw into the present. He saw the old killer living alone on the edge of a city, a decrepit shell of wantonness and stale pleasure. He saw the old man who had committed the most diabolical of crimes, an especially depraved and merciless child sex murder that would shake any decent person’s soul. No doubt he was considered a little aloof or odd by his neighbors, a “funny old man,” it was a shame he had no family on the holidays, one of those old bachelors who stank of alcohol and cigarettes and showered once a week, not pleasant but nothing to worry about—if they only knew! It was many years later now and the old man had nothing left but his memories. Walter could see him in his dim row house turning the yellowed and crumbling newspaper pages with appalling arrogance to read about himself once again, reliving the sweet memory of the killing when he was young, the zenith of his power and achievement, the high point of his life! What kind of society allowed such a monster his freedom for nearly fifty years, while the nameless and innocent child, he would be a father now, perhaps a grandfather, moldered unknown and unmourned? Walter was offended to the core of his sense of decency. The old killer had exulted over his dark triumph for too long. It was time to go get him.
The piano thundered. This new creation of his seemed to summon shades from every corner of the parlor. It was thrilling to make but it was good he would never hear it again. It was the song of the beast.
Lost in his music, Walter didn’t detect the soft, dissonant tympanic beat in the darkness of the great house, the click of the door against the jamb.
A thick-shouldered man stood in the gloom. He had shining black eyes and the glint of a gun at his hip. His smile was brilliant.
The mighty music stopped, and the echoes faded in the lower rooms. A big hand clapped Walter on the shoulder.
“Nice!” the thin man exclaimed with a hoarse laugh. “I could have had a heart attack! I assumed I’d be enjoying libations alone. The least you could do is call.”
“I did! You were too busy being Beethoven to answer the phone.”
“I think not,” Walter shot back.
Stoud. Walter walked into the parlor turning on lights, and tossed a Hallmark-style card to Stoud with a smirk. It was the invitation to the fifth anniversary of the reburial of the Boy in the Box, also known as America’s Unknown Child, in his prominent new grave at Ivy Hill Cemetery. Stoud hadn’t been able to go; Walter had brusquely declined the invitation.
Inside was a drawing of a baby being sung up to heaven and a poem, “Little Angels”; Stoud snorted. “Your cynicism