Murder and Salutations - By Elizabeth Bright Page 0,120

tried to influence with her big green eyes introduced himself to Dunn. He’d voted resolutely to convict. He told Dunn he was frightened by her charm, and he easily could have ended up like Scott; “There but for the grace of God go I.” Walter, chopping the words with a cigarette on his lip, commented, “That’s fitting. She’d gotten everything before by lying on her back. Not this time. It puts her where she belongs.”

Walter sensed a great weight lifting from Dunn. He had grown red-faced with rage even being in the same courtroom as Hamilton. He’d stalked out of a room when Hamilton’s relatives or supporters appeared. It was time, Walter felt, for him to bury some of his anger. Vengeance is normal, healthy, and sweet to contemplate, Walter counseled him. “In fact, you MUST feel the need for revenge, sweet revenge, deeply.” The just society does not repress it. It’s important to feel the fury of being wronged and the deep pleasure of imagined revenge, the “wrath,” as Aristotle noted in Rhetoric, “sweeter by far than the honeycomb dripping with sweetness . . . [that] spreads through the hearts of men.”

“Then let it go,” Walter said. “The virtuous man feels the proper anger for the proper things for the proper amount of time. It’s important that he controls himself, moderates it, listens to the law, friends, family, standards of decency.” For Jim Dunn, the time was coming. The time to let go.

Yet the father was not satisfied. Before leaving Lubbock, he had erected a fresh granite tombstone, engraved with Scott’s yellow Camaro, in the Dunn family plot. Bowing his head before the vacant grave, he vowed he would not rest until his son’s body was found and properly buried. Walter was certain that the young man’s body had been completely destroyed to cover up the crime. Scott would never be found. But he could not convince Dunn of the truth. Recognizing the father’s powerful need, he suggested Dunn bury a piece of blood-soaked carpet in the grave. “Remember what the courts decided, Jim. The blood is the body. His blood is Scott.” Dunn agreed.

That evening, the Dunns and Walter celebrated Hamilton’s sentencing at a local restaurant. Wine and satisfied smiles ringed the table. Walter encouraged feelings of triumph; these were the sweet drafts of justice spiced with revenge. It was time to drink deeply.

The profiler was quite pleased with himself. “In the course of events, it’s most satisfactory to vanquish a power-assertive personality, a killer who believes he can mow down anything in the way with raw power, even more than the other types,” he said. Dunn asked him why. The profiler grinned conspiratorially. “Well, as it happens, I’m rather power-assertive myself.” The two men laughed heartily.

But by the end of the evening, alcohol and euphoria began to ebb. Walter pointed out that Texas’s lax parole laws would spring Hamilton long before her sentence was up. Walter saw Dunn still warring with the fates, still fumbling along between the rocks of retribution and forgiveness, trying to find the path of the virtuous man. He reached out and put his arm on his friend’s shoulder and said they would press on together. They would do whatever it took, whatever could be done, whatever was just and right.

He looked in his friend’s tragic face and hoped that would be enough.

• CHAPTER 40 •

THE WORST MOTHER IN HISTORY

One evening in October 1997, William Fleisher stood in the formal, polished-wood elegance of the Mütter Museum in Philadelphia studying a gallery of horrors. In the brilliantly lit cases rested the conjoined liver of the world-famous Siamese twins Chang and Eng; the cancerous growth removed from President Grover Cleveland’s throat; shriveled baby corpses; and the Soap Lady, whose fat mysteriously turned to soap lye in the grave in the 1830s. Dr. Thomas Dent Mütter, who founded the world-famous museum of medical oddities in 1858 to train physicians, had contributed a gangrenous hand and a woman’s rib cage torturously compressed by tight lacing. Not far from Supreme Court justice John Marshall’s gallstones was the skull of an ax murderer, an ancestor of the actor Jack Nicholson, who chopped up shop clerk Ellen Jones in 1863 in rural Pennsylvania.

Fleisher was waiting to hear forensic anthropologist Bill Bass discuss “Death’s Acre,” also known as “The Body Farm,” his Tennessee laboratory for scientific study of decomposing bodies. Fleisher prided himself on his ability to spot a reporter crashing a roomful of cops—the longish hair, softer slacks and shoes,