Mockingjay (The Hunger Games 3) Page 0,89

suspect the latter.

Finnick’s voice rises from a bundle in the shadows. “Then you should ask, Peeta. That’s what Annie does.”

“Ask who?” Peeta says. “Who can I trust?”

“Well, us for starters. We’re your squad,” says Jackson.

“You’re my guards,” he points out.

“That, too,” she says. “But you saved a lot of lives in Thirteen. It’s not the kind of thing we forget.”

In the quiet that follows, I try to imagine not being able to tell illusion from reality. Not knowing if Prim or my mother loved me. If Snow was my enemy. If the person across the heater saved or sacrificed me. With very little effort, my life rapidly morphs into a nightmare. I suddenly want to tell Peeta everything about who he is, and who I am, and how we ended up here. But I don’t know how to start. Worthless. I’m worthless.

At a few minutes before four, Peeta turns to me again. “Your favorite color…it’s green?”

“That’s right.” Then I think of something to add. “And yours is orange.”

“Orange?” He seems unconvinced.

“Not bright orange. But soft. Like the sunset,” I say. “At least, that’s what you told me once.”

“Oh.” He closes his eyes briefly, maybe trying to conjure up that sunset, then nods his head. “Thank you.”

But more words tumble out. “You’re a painter. You’re a baker. You like to sleep with the windows open. You never take sugar in your tea. And you always double-knot your shoelaces.”

Then I dive into my tent before I do something stupid like cry.

In the morning, Gale, Finnick, and I go out to shoot some glass off the buildings for the camera crew. When we get back to camp, Peeta’s sitting in a circle with the soldiers from 13, who are armed but talking openly with him. Jackson has devised a game called “Real or Not Real” to help Peeta. He mentions something he thinks happened, and they tell him if it’s true or imagined, usually followed by a brief explanation.

“Most of the people from Twelve were killed in the fire.”

“Real. Less than nine hundred of you made it to Thirteen alive.”

“The fire was my fault.”

“Not real. President Snow destroyed Twelve the way he did Thirteen, to send a message to the rebels.”

This seems like a good idea until I realize that I’ll be the only one who can confirm or deny most of what weighs on him. Jackson breaks us up into watches. She matches up Finnick, Gale, and me each with a soldier from 13. This way Peeta will always have access to someone who knows him more personally. It’s not a steady conversation. Peeta spends a long time considering even small pieces of information, like where people bought their soap back home. Gale fills him in on a lot of stuff about 12; Finnick is the expert on both of Peeta’s Games, as he was a mentor in the first and a tribute in the second. But since Peeta’s greatest confusion centers around me—and not everything can be explained simply—our exchanges are painful and loaded, even though we touch on only the most superficial of details. The color of my dress in 7. My preference for cheese buns. The name of our math teacher when we were little. Reconstructing his memory of me is excruciating. Perhaps it isn’t even possible after what Snow did to him. But it does feel right to help him try.

The next afternoon, we’re notified that the whole squad is needed to stage a fairly complicated propo. Peeta’s been right about one thing: Coin and Plutarch are unhappy with the quality of footage they’re getting from the Star Squad. Very dull. Very uninspiring. The obvious response is that they never let us do anything but playact with our guns. However, this is not about defending ourselves, it’s about coming up with a usable product. So today, a special block has been set aside for filming. It even has a couple of active pods on it. One unleashes a spray of gunfire. The other nets the invader and traps them for either interrogation or execution, depending on the captors’ preference. But it’s still an unimportant residential block with nothing of strategic consequence.

The television crew means to provide a sense of heightened jeopardy by releasing smoke bombs and adding gunfire sound effects. We suit up in heavy protective gear, even the crew, as if we’re heading into the heart of battle. Those of us with specialty weapons are allowed to take them along with our guns. Boggs gives Peeta back

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