the hospital, he was not thinking of disease, but this. Because he never underestimates the cruelty of those we face.
I slowly turn my back to the hospital and find Cressida, flanked by the insects, standing a couple of yards in front of me. Her manner’s unrattled. Cool even. “Katniss,” she says, “President Snow just had them air the bombing live. Then he made an appearance to say that this was his way of sending a message to the rebels. What about you? Would you like to tell the rebels anything?”
“Yes,” I whisper. The red blinking light on one of the cameras catches my eye. I know I’m being recorded. “Yes,” I say more forcefully. Everyone is drawing away from me—Gale, Cressida, the insects—giving me the stage. But I stay focused on the red light. “I want to tell the rebels that I am alive. That I’m right here in District Eight, where the Capitol has just bombed a hospital full of unarmed men, women, and children. There will be no survivors.” The shock I’ve been feeling begins to give way to fury. “I want to tell people that if you think for one second the Capitol will treat us fairly if there’s a cease-fire, you’re deluding yourself. Because you know who they are and what they do.” My hands go out automatically, as if to indicate the whole horror around me. “This is what they do! And we must fight back!”
I’m moving in toward the camera now, carried forward by my rage. “President Snow says he’s sending us a message? Well, I have one for him. You can torture us and bomb us and burn our districts to the ground, but do you see that?” One of the cameras follows as I point to the planes burning on the roof of the warehouse across from us. The Capitol seal on a wing glows clearly through the flames. “Fire is catching!” I am shouting now, determined that he will not miss a word. “And if we burn, you burn with us!”
My last words hang in the air. I feel suspended in time. Held aloft in a cloud of heat that generates not from my surroundings, but from my own being.
“Cut!” Cressida’s voice snaps me back to reality, extinguishes me. She gives me a nod of approval. “That’s a wrap.”
8
Boggs appears and gets a firm lock on my arm, but I’m not planning on running now. I look over at the hospital—just in time to see the rest of the structure give way—and the fight goes out of me. All those people, the hundreds of wounded, the relatives, the medics from 13, are no more. I turn back to Boggs, see the swelling on his face left by Gale’s boot. I’m no expert, but I’m pretty sure his nose is broken. His voice is more resigned than angry, though. “Back to the landing strip.” I obediently take a step forward and wince as I become aware of the pain behind my right knee. The adrenaline rush that overrode the sensation has passed and my body parts join in a chorus of complaints. I’m banged up and bloody and someone seems to be hammering on my left temple from inside my skull. Boggs quickly examines my face, then scoops me up and jogs for the runway. Halfway there, I puke on his bulletproof vest. It’s hard to tell because he’s short of breath, but I think he sighs.
A small hovercraft, different from the one that transported us here, waits on the runway. The second my team’s on board, we take off. No comfy seats and windows this time. We seem to be in some sort of cargo craft. Boggs does emergency first aid on people to hold them until we get back to 13. I want to take off my vest, since I got a fair amount of vomit on it as well, but it’s too cold to think about it. I lie on the floor with my head in Gale’s lap. The last thing I remember is Boggs spreading a couple of burlap sacks over me.
When I wake up, I’m warm and patched up in my old bed in the hospital. My mother’s there, checking my vital signs. “How do you feel?”
“A little beat-up, but all right,” I say.
“No one even told us you were going until you were gone,” she says.
I feel a pang of guilt. When your family’s had to send you off twice to the Hunger Games, this isn’t