used goods, another that sells fake jewelry. Only a couple of people are around, and they pay no attention to us. Cressida begins to babble in a high-pitched voice about fur undergarments, how essential they are during the cold months. “Wait until you see the prices! Believe me, it’s half what you pay on the avenues!”
We stop before a grimy storefront filled with mannequins in furry underwear. The place doesn’t even look open, but Cressida pushes through the front door, setting off a dissonant chiming. Inside the dim, narrow shop lined with racks of merchandise, the smell of pelts fills my nose. Business must be slow, since we’re the only customers. Cressida heads straight for a hunched figure sitting in the back. I follow, trailing my fingers through the soft garments as we go.
Behind a counter sits the strangest person I’ve ever seen. She’s an extreme example of surgical enhancement gone wrong, for surely not even in the Capitol could they find this face attractive. The skin has been pulled back tightly and tattooed with black and gold stripes. The nose has been flattened until it barely exists. I’ve seen cat whiskers on people in the Capitol before, but none so long. The result is a grotesque, semi-feline mask, which now squints at us distrustfully.
Cressida takes off her wig, revealing her vines. “Tigris,” she says. “We need help.”
Tigris. Deep in my brain, the name rings a bell. She was a fixture—a younger, less disturbing version of herself—in the earliest Hunger Games I can remember. A stylist, I think. I don’t remember for which district. Not 12. Then she must have had one operation too many and crossed the line into repellence.
So this is where stylists go when they’ve outlived their use. To sad theme underwear shops where they wait for death. Out of the public eye.
I stare at her face, wondering if her parents actually named her Tigris, inspiring her mutilation, or if she chose the style and changed her name to match her stripes.
“Plutarch said you could be trusted,” adds Cressida.
Great, she’s one of Plutarch’s people. So if her first move isn’t to turn us in to the Capitol, it will be to notify Plutarch, and by extension Coin, of our whereabouts. No, Tigris’s shop is not ideal, but it’s all we have at the moment. If she’ll even help us. She’s peering between an old television on her counter and us, as if trying to place us. To help her, I pull down my scarf, remove my wig, and step closer so that the light of the screen falls on my face.
Tigris gives a low growl, not unlike one Buttercup might greet me with. She slinks down off her stool and disappears behind a rack of fur-lined leggings. There’s a sound of sliding, and then her hand emerges and waves us forward. Cressida looks at me, as if to ask Are you sure? But what choice do we have? Returning to the streets under these conditions guarantees our capture or death. I push around the furs and find Tigris has slid back a panel at the base of the wall. Behind it seems to be the top of a steep stone stairway. She gestures for me to enter.
Everything about the situation screams trap. I have a moment of panic and find myself turning to Tigris, searching those tawny eyes. Why is she doing this? She’s no Cinna, someone willing to sacrifice herself for others. This woman was the embodiment of Capitol shallowness. She was one of the stars of the Hunger Games until…until she wasn’t. So is that it, then? Bitterness? Hatred? Revenge? Actually, I’m comforted by the idea. A need for revenge can burn long and hot. Especially if every glance in a mirror reinforces it.
“Did Snow ban you from the Games?” I ask. She just stares back at me. Somewhere her tiger tail flicks with displeasure. “Because I’m going to kill him, you know.” Her mouth spreads into what I take for a smile. Reassured that this isn’t complete madness, I crawl through the space.
About halfway down the steps, my face runs into a hanging chain and I pull it, illuminating the hideout with a flickering fluorescent bulb. It’s a small cellar with no doors or windows. Shallow and wide. Probably just a strip between two real basements. A place whose existence could go unnoticed unless you had a very keen eye for dimensions. It’s cold and dank, with piles of pelts that I’m guessing haven’t