The Midnight Mayor - By Kate Griffin Page 0,180

exit all at once, turning the cold orange-sodium night black and hot in an instant of furious shrieking ash. I looked behind me, saw Oda crawling away from the nearest subway on her hands and knees, hair smoking from the blast, face burnt, ears bleeding, she had been too close, even closer than me. I scampered on hands and knees towards her, caught her in my arms and dragged her away from the spinning, writhing wall of furious darkness that tumbled and spat hot fury out of the subways, rising up to block out the sky overhead. I couldn’t see the streets beyond this wall of blackness, couldn’t see through the volume of dirt and dust piling up from the subway’s open mouths, forming an arena wall around the junction. I shook Oda gently, hissed, “You OK?” and felt the warmth in my breath snatched away, my tongue turn to dirty dry meat in my mouth at the effort of speaking through the storm.

She nodded numbly. “Break it,” she whispered. “Break it!”

I felt for my bag, felt the bulk of the hat inside it again, patted it like a crucifix for comfort, looked around our narrowing circle of burning darkness for tools, felt . . . stones rumbling, sleeping stones being disturbed just a little way off . . . and saw him. He walked through the screaming roaring shattering sound and the burning suffocating filth from beneath the streets like it was sunlight in a dappled forest. Utterly clean, utterly untouched by it. He had his umbrella, which he leant on slightly as he stopped to stare at us. He looked . . . not entirely his usual self, but he still managed to muster a smile.

Mr Pinner said, as the storm belched all around us, “End of the line.” I raised a trembling hand towards him and stuttered, “Uh-uh. Blackwall.”

For a moment, doubt flickered on Mr Pinner’s face. I turned my hand, pointed it in the general direction of where I thought the street called Poultry was. “Midnight Mayor,” I added, seeing his confusion. “Duh.”

He understood, but just a bit too late. I felt a rumbling, heard the rattling of an old, badly kept engine, saw a pair of headlights breaking through the dark, pulled Oda into my chest; and we didn’t quite have it in us to look away. For anyone else, we would have - not for this.

The bus came rattling through the storm like it was just another futile traffic-calming measure on a road built for racing; it was a night bus, it didn’t believe in slowing down, not for anything. A double-decker, its walls were red, its glass was scratched, its wheels were smoking, its driver was just a shadow lost in the darkness of the compartment. On the front was its number and destination - the number 15, heading for Blackwall, and pity the creature that tried to stop it getting there. Mr Pinner was standing between it and its destination. Night buses don’t believe in braking unless it’s absolutely, entirely, and without a doubt necessary. This bus didn’t brake. I watch it slam into him too fast to really tell what happened; we felt almost disappointed - there should have been the slow-motion crumpling of the health and safety ads you got at the cinemas, a twisting of limbs into unfortunate places, a slow swinging back of his neck as his spine crumpled, a shattering of bones as his legs, then his waist went under the bus, a snap as his upper body was thrown against the wide red front. There was none of that; one second, bus driving towards man, next second, bus driving over where man should have been. It occurred to us that all this might have been like the health and safety videos, if Mr Pinner had a spine to snap.

The number 15 rolled on, vanished again through the whirling black storm, which itself began to crumple and sink, the sound and the dirt sucked back in like an obscene drawing of breath by a pair of dying lungs, dragged back down through the open gates of the subway stairs, sucked beneath the streets. A figure lay in the middle of the road, as flat and thin as a piece of paper.

It began to twitch.

I grabbed Oda by the wrist, started to run, pulled her past the not-dead thing slowly rising back up from the black tarmac. Down towards King William Street, past a church, all red brick

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