Midnight at Marble Arch - By Anne Perry Page 0,144

was the same man who had been there the night Catherine Quixwood had been killed.

Narraway controlled himself with an effort and spoke again, more gently. “I need to find them both, immediately. Mr. Quixwood’s life is in danger.”

The footman gulped. “He said to tell you, my lord, that he had gone to the house of Lady Vespasia Cumming-Gould. He said you would know where that was.”

Narraway stood motionless, as if an icy wind had frozen him.

“And Forsbrook was with him?” Pitt whispered, horrified.

“Yes, sir.”

Narraway whirled around, leaving Pitt and Soker to follow him down the steps and into the hansom again, shouting Vespasia’s address at the driver. They were barely seated when the cab lurched forward. It threw them hard backward and then swung them against the sides as it swept around the corner and picked up a crazy speed.

None of them spoke as they hurtled along the now lamplit streets. The horse’s feet were loud on the stones; the wheels rattled. One moment they were almost at a gallop, the next veering around a corner and skidding to straighten up before pitching forward again.

Pitt’s mind created all sorts of pictures of what might be happening, and what situation they would meet. What if the footman had lied to them, on Quixwood’s orders, and the two men had not gone to Vespasia’s house at all? Or what if they were actually at Pitt’s own house, and it was Charlotte, Daniel and Jemima who were in danger? Might Neville Forsbrook this moment be raping Jemima? The thought was unbearable.

Instinctively Pitt leaned forward and shouted at the driver to go faster, but his voice was lost in the hiss and clatter of their progress.

Or what if Quixwood had murdered Forsbrook and left him in his own house, and was escaping now to who knows where?

They slowed to a stop outside Vespasia’s house. Pitt all but fell onto the pavement. Once again there was no other vehicle in sight, but now it was fully dark. It must be an hour or so short of midnight.

Narraway was beside him and Stoker just behind as they moved silently up to the front door. What if no one was able to let them in? The maids might even be locked up by Forsbrook or Quixwood.

Who was the master anyway? Was Forsbrook Quixwood’s hostage, or the other way around? Or were they truly allies?

Or was this a fool’s errand and they were not here at all?

Pitt could feel hysteria welling up inside him.

Narraway shot out a hand and gripped Pitt’s arm, his fingers like a vise. “Back,” he whispered. “Garden door.”

“Wait here,” Pitt whispered to Stoker. “In case they try to run.” Then he turned and led the way. There was a brief, highly undignified scramble over the wall and down again, then they tiptoed through the garden, probably treading on all kinds of flowers.

The light from the sitting room streamed through the French doors and across the grass. The curtains were at least half-open; there seemed to be no one in the room, then Pitt saw a shadow move beyond the curtains, and then another. He froze. He looked at Narraway and observed that he too had seen.

Might it simply be Vespasia and her maid? He motioned Narraway to stand well to the side, and he himself moved out of clear sight of the windows. Feeling his way he took one step at a time until he was just outside the glass. Inch by inch he leaned forward and got a better look.

Inside, Vespasia was standing motionless in front of Neville Forsbrook, her face pale. On one side of her, between her and the door, Rawdon Quixwood was standing facing them. He had a revolver in his hand, held steady. It was pointing downward, but any second he could lift it and shoot Vespasia and, when she fell, Forsbrook.

Pitt stepped back slowly and motioned to Narraway. When they were a couple of yards from the window he whispered urgently.

“Quixwood has a gun. Forsbrook appears unarmed. They have Vespasia. They’re talking, but through the glass I couldn’t hear what they’re saying.”

“Quixwood’s playing for time until we get here,” Narraway said softly. “Then he’ll shoot Forsbrook, and claim it’s self-defense, which I daresay it will be, by then.”

“Why here?” Pitt asked. “Why not do it at his own house?”

“Because this way he comes out the hero. He can claim he was trying to prevent Neville from committing another hideous act,” Narraway answered bitterly. “And I daresay both of