The Masque of Africa_ Glimpses of African Belief - By V. S. Naipaul Page 0,24
script doesn’t seem to trouble academic or nationalist people; it isn’t a subject that is talked about.
I found only one man who had thought about this deficiency of the Ugandan or central African kingdoms. He was a middle-aged melancholic and he was from a neighbouring kingdom (or kingdom area). He was passionate about the kingdoms, believing in the power of the imprisoned and irreplaceable royal drum of his area, with its particular heartbeat. He grieved for the recent past. The terrible Milton Obote had imprisoned the royal drum and sixty-two items of its regalia in 1967; and though the kingdoms had been technically restored, nothing had been the same again; and the drum had still not been recovered. The drum still had power, but it suffered in its imprisonment. Like a wounded patriot, the melancholy man exaggerated the pain to come: he lived with the vision of all this part of Africa being swept away by some new political force. He pointed to the demure woman, a relative, who was with him. He said, “In a few years you wouldn’t see her here.” He wasn’t saying that the woman would migrate; he meant only that in a short while people of the royal clan, to which his relative belonged, people known for their fine and distinctive features, would be squeezed out.
I took him back to the question of the absence of a script and writing.
He said, “Script? They didn’t know the wheel.”
This was news to me. But then, reviewing everything I had read about old Uganda, I felt that what I had heard was right; though it was hard to imagine everything being manhandled or loaded on to donkeys on those straight Baganda roads.
He thought that the geographical isolation of Uganda in central Africa, beside lakes the outside world didn’t know, would have gone some way to explaining why there was no script. And I felt he was right. The Baganda had their own language; it would have been reasonably easy, given the stimulus of literate neighbours, for a script to be devised to match the sounds of the language. In the neighbouring kingdom of Bunyoro Speke found people writing Arabic: some people felt the need for a script and writing.
To be without writing, as the Baganda were, was to have no effective way of recording the extraordinary things they achieved. Much of the past, the thirty-seven kings of which they boast, is effectively lost, and can be talked of only as myth. The loss continues. In a literate age, of newspapers and television and radio, the value of oral history steadily shrinks.
The Baganda built roads like the Romans, very straight, up hill and down dale, filling the awkward depressions with the stalks of tall papyrus, which grow on this water-logged land in profusion, as they did in ancient Egypt. But the Baganda have lived for so long with the sight of their old roads that they take them for granted; there are some who even say that the roads were built by the British. And what must have been refined tools or systems for aligning and grading those roads have been forgotten.
In about 1870 Mutesa I was fighting a war against one of his neighbours. For this war he built or caused to be built a road along part of the lake. Stanley saw this military road two years later. It still existed as a road. Very little grass had grown over it, which was quite remarkable in a fertile area, which had heavy rains in the rainy season.
PATRICK EDWARDS was the Trinidad ambassador. He was an African expert, having served in Nigeria for some years. He was interested in my travel and did what he could to help. He thought I should move out of Kampala and have a look at some of the other kingdoms beside Buganda. He wrote an official letter to the kingdom of Busoga (which Kabaka Sunna had spectacularly punished in the 1850s). After some time there was a reply. The officials were concerned to an extraordinary degree about their expenses when I came to see them, and specified what these might be: meals, travel, hotel charges. I felt that in one bound, because of Patrick’s letter, we had gone back a hundred and fifty years to the arbitrary world of the tribal hongo, which could at any time be doubled for the traveller and then doubled again, before the drum of satisfaction could be beaten, to free the traveller. I decided to stay