Marrying Mozart - By Stephanie Cowell Page 0,8

completed the first quartet and has promised to make a copy to send you; he wishes me to mention particularly the middle movement with the flute set against pizzicato strings. Two hundred silver florins for the commission when complete, husband! I thank God for our good fortune; this will pay for much.

Tomorrow we go to a private gathering of the best people, where Wolferl is to play for the dancing. We do not know if we will be paid. I still believe something will occur here to forward his talents. I hope he will get a commission for an opera, for a successful opera of all things will truly establish his name, or, if not, at least obtain the position of vice kapellmeister at the court. (The present one, they say, is not long for this world.) Meanwhile, we try to save money and dine out at others’ expense when we possibly can, and only have a fire while dressing.

Above all things I intend to keep him away from Augsburg. I still feel half sick to think of what might have occurred if I had not come suddenly upon your son and that wicked girl, her petticoats entirely raised above her thighs ...

The rest of the sentence she wrote with the page half covered by her free hand, so that for a few days following her little finger was edged with ink. She finished the letter then and signed it,

Your loving and devoted Wife, who trusts in God’s mercy.

Maria Anna Mozart

Many feet below the houses of the city lay one of the city’s beer cellars, which offered the local beer and plenty of it, in addition to plates of greasy chops so thick you could just fit your jaws around them, a sort of porridge, rich veined cheeses, large hocks of ham with knives stuck deeply in them to encourage the appetite, dishes of mustard and cabbage, and so on. It was a place where the hour and day were forgotten, for no light penetrated the vaulted, subterranean chambers that were inadequately lit by too few candles, enough to make a shapely buxom shadow of the hostess, and a lean knifelike shadow of the host. These shadows, and that of the resentful beer house boy, dipped and danced with their trays against the stone walls. The smell of beer was so great that one could imagine it rising in a flood beneath the flagstones, then seeping and leaking through the whole city, street by street, until it found its way to the river.

To enter this establishment you opened a heavy door in an alley behind a group of stables and made your way at your peril down the steep, worn, centuries-old steps. Women were here, shrieking in laughter, sometimes suddenly throwing up their skirts to their knees, and in the dim light their white hose glimmered. Law students came, as did actors and poor musicians. Here Mozart came with his friend, the horn player Leutgeb, one week following the completion of the first flute concerto.

They had taken possession of part of a long table in the rear, where the air was thick with pipe smoke. Mozart’s shirt was open, and Leutgeb was pouring more beer. Leutgeb was also a native of Salzburg, where he played horn for the chapel orchestra; he was twenty-five, pleasantly fat and big, with a booming, raucous laugh that shook his whole body. His face was fleshy and never well shaven, as if to say to the world, See what an easy-going fellow I am!

“So you had your cousin with her drawers half down, you dog,” he cried above the noise of music and voices. “My God, Mozart, I’ll make you drunk until you tell me all of it. How much did you have of her?”

“Near to all, by heaven.”

“You were on the sofa at your uncle’s, and her hand was ...”

“Where I’d have it, friend, where I’d have it; but the story ends ridiculously. We heard the door open, and I raised my head over the sofa back; standing there was my own blessed mother. The high sofa back was between us; I’m sure she didn’t know how close we’d come. I thought she was out having her hat trimmed, by God, but there she stood.”

Leutgeb roared. “Devil take it, my cock would have fallen off like the handle of a cracked china cup if my mother had stumbled on such a thing.”

Mozart dosed his small hands slowly, as if the girl’s flesh was within

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