Little Fires Everywhere - Celeste Ng Page 0,6

she added. “My daughter Lexie was Helena in A Midsummer Night’s Dream last year.” She quoted the Shaker schools’ motto: A community is known by the schools it keeps. Real estate taxes in Shaker were higher than anywhere else, but residents certainly got their money’s worth. “But you’ll be renting, so of course you get all the benefits with none of the burden,” she added with a laugh. She handed Mia an application, but she’d already decided. It gave her immense satisfaction to imagine this woman and her daughter settling into the apartment, Pearl doing her homework at the kitchen table, Mia perhaps working on a painting or a sculpture—for she had not mentioned her exact medium—in the enclosed porch overlooking the backyard.

Moody, listening to his mother describe their new tenants, was intrigued less by the artist than by the mention of the “brilliant” daughter just his age. A few days after Mia and Pearl moved in, his curiosity got the better of him. As always, he took his bike, an old fixed-gear Schwinn that had belonged to his father long ago in Indiana. Nobody biked in Shaker Heights, just as nobody took the bus: you either drove or somebody drove you; it was a town built for cars and for people who had cars. Moody biked. He wouldn’t be sixteen until spring, and he never asked Lexie or Trip to drive him anywhere if he could help it.

He pushed off and followed the curve of Parkland Drive, past the duck pond, where he had never seen a duck in his life, only swarms of big, brash Canadian geese; across Van Aken Boulevard and the rapid-transit tracks to Winslow Road. He didn’t come here often—none of the children had much to do with the rental house—but he knew where it was. A few times, when he was younger, he had sat in the idling car in the driveway, staring at the peach tree in the yard and skimming the radio stations while his mother ran in to drop something off or check on something. It didn’t happen often; for the most part, except when his mother was looking for tenants, the house mostly ran itself. Now he realized, as his wheels bumped over the joints between the big sandstone slabs that made up the sidewalks, that he had never been inside. He wasn’t sure any of the kids ever had.

In front of the house, Pearl was carefully arranging the pieces of a wooden bed on the front lawn. Moody, gliding to a stop across the street, saw a slender girl in a long, crinkly skirt and a loose T-shirt with a message he couldn’t quite read. Her hair was long and curly and hung in a thick braid down her back and gave the impression of straining to burst free. She had laid the headboard down flat near the flowerbeds that bordered the house, with the side rails below it and the slats to either side in neat rows, like ribs. It was as if the bed had drawn a deep breath and then gracefully flattened itself into the grass. Moody watched, half hidden by a tree, as she picked her way around to the Rabbit, which sat in the driveway with its doors thrown wide, and extracted the footboard from the backseat. He wondered what kind of Tetris they had done to fit all the pieces of the bed into such a small car. Her feet were bare as she crossed the lawn to set the footboard into place. Then, to his bemusement, she stepped into the empty rectangle in the center, where the mattress belonged, and flopped down on her back.

On the second story of the house, a window rattled open and Mia’s head peered out. “All there?”

“Two slats missing,” Pearl called back.

“We’ll replace them. No, wait, stay there. Don’t move.” Mia’s head disappeared again. In a moment she reappeared holding a camera, a real camera, with a thick lens like a big tin can. Pearl stayed just as she was, staring up at the half-clouded sky, and Mia leaned out almost to the waist, angling for the right shot. Moody held his breath, afraid the camera might slip from her hands onto her daughter’s trusting upturned face, that she might tumble over the sill herself and come crashing down into the grass. None of this happened. Mia’s head tilted this way and that, framing the scene below in her viewfinder. The camera hid her face, hid everything

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