and found it contained about twelve files on old LAPD cases from the 1950s and early 1960s. Again, he didn’t have the time to study them, but he checked all the labels and none was marked Marjorie Lowe. By randomly pulling out a few of the files it became clear to him that Eno had made copies of files on some of his cases to take with him when he left the department. Of the random selections, all were murders, including two of prostitutes. Only one of the cases was closed.
“Go get me a box or a bag or something for these files,” Bosch said over his shoulder. When he sensed the woman in the room had not moved, he barked, “Do it!”
She got up and left. Bosch stood gazing at the files and thinking. He had no idea if these were important or not. He had no idea what they meant. He only knew he should take them in case they turned out to be important. But what bothered him more than what the files that were in the drawer could mean was the feeling that something was certainly missing. This was based on his belief in McKittrick. The retired detective was sure his former partner, Eno, had some kind of hold on Conklin, or at the very least, some kind of deal with him. But there was nothing here about that. And it seemed to Bosch that if Eno was holding something on Conklin, it would still be here. If he kept old LAPD files, then he kept whatever he had on Conklin. In fact, he would have kept it in a safe place. Where?
The woman came back and dropped a cardboard box on the floor. It was the kind a case of beer had come in. Bosch put a footthick stack of files in it along with the Rolodex.
“You want a receipt?” he asked.
“No, I don’t want anything from you.”
“Well, there is still something I need from you.”
“This doesn’t end, does it?”
“I hope it does.”
“What do you want?”
“When Eno died, did you help the old lady—uh, your sister, that is—did you help her clear out his safe deposit box?”
“How’d—”
She stopped herself but not soon enough.
“How’d I know? Because it’s obvious. What I’m looking for, he would have kept in a safe place. What did you do with it?”
“We threw everything away. It was meaningless. Just some old files and bank statements. He didn’t know what he was doing. He was old himself.”
Bosch looked at his watch. He was running out of time if he was going to make his plane.
“Get me the key for this desk drawer.”
She didn’t move.
“Hurry up, I don’t have a lot of time. You open it or I’ll open it. But if I do it, that drawer isn’t going to be much use to you anymore.”
She reached into the pocket of her house dress and pulled out the house keys. She reached down and unlocked the desk drawer, pulled it open and then stepped away.
“We didn’t know what any of it was, or what it meant.”
“That’s fine.”
Bosch moved to the drawer and looked in. There were two thin manila files and two packs of envelopes with rubber bands holding them together. The first file he looked through contained Eno’s birth certificate, passport, marriage license and other personal records. He put it back in the drawer. The next file contained LAPD forms and Bosch quickly recognized them as the pages and reports that had been removed from the Marjorie Lowe murder book. He knew he had no time to read them at the moment and put the file in the beer box with the other files.
The rubber band on the first package of envelopes snapped when he tried to remove it and he was reminded of the band that had been around the blue binder that contained the case files. Everything about this case was old and ready to snap, he thought.
The envelopes were all from a Wells Fargo Bank branch in Sherman Oaks and each one contained a statement for a savings account in the name of McCage Inc. The address of the corporation was a post office box, also in Sherman Oaks. Bosch randomly took envelopes from different spots in the pack and studied three of them. Though separated by years in the late 1960s, each statement was basically the same. A deposit of one thousand dollars was made in the account on the tenth of each month and on the fifteenth