The last coyote by Michael Connelly

from the home of one of his neighbors but he couldn’t tell which house. He didn’t really know any of his neighbors or which one might have a piano player in the family. He ducked under the yellow tape strung in front of the property and entered through the door in the carport.

This was his routine, to park down the street and hide the fact that he lived in his own house. The house had been red-tagged as uninhabitable after the earthquake and ordered demolished by a city inspector. But Bosch had ignored both orders, cut the lock on the electric box, and had been living in it for three months.

It was a small house with redwood siding that stood on steel pylons anchored in the sedimentary bedrock folded and formed as the Santa Monica Mountains rose out of the desert during the Mesozoic and Cenozoic eras. The pylons had held true in their moorings during the quake, but the overlying house had shifted atop them, breaking partially free of the pylons and seismic bolts. It slid. All of about two inches. Still, it was enough. Though short on distance the slide was long on damage. Inside, the woodframe house flexed and window and door frames lost their square. The glass shattered, the front door became terminally closed, frozen in a frame that had canted to the north with the rest of the house. If Bosch wanted to open that door, he would probably need to borrow the police tank with the battering ram. As it was, he’d had to use a crowbar to open the carport door. Now that door served as the main entrance to his home.

Bosch had paid a contractor five thousand dollars to jack the house up and then over the two inches it had moved. It was then put down in its proper space and rebolted to the pylons. After that, Bosch was content to work as time allowed on reframing windows and interior doors himself. The glass came first and in the months after that he reframed and rehung the interior doors. He worked from books on carpentry and often had to do individual projects two and three times until he had them reasonably correct. But he found the work enjoyable and even therapeutic. Working with his hands became a respite from his job in homicide. He left the front door as it was, thinking that somehow it was fitting, that it was a salute to the power of nature. And he was content to use the side door.

All of his efforts did not save the house from the city’s list of condemned structures. Gowdy, the building inspector who had been assigned to this section of the hills, kept it red-tagged as condemned, despite Bosch’s work, and so began the hiding game in which Bosch made his entrances and exits as surreptitiously as a spy’s to a foreign embassy. He tacked black plastic tarps over the inside of the front windows so they would emit no telltale light. And he always watched for Gowdy. Gowdy was his nemesis.

In the meantime, Bosch hired a lawyer to appeal the inspector’s edict.

The carport door granted entry directly into the kitchen. After he came in, Bosch opened the refrigerator and retrieved a can of Coca-Cola, then stood in the doorway of the aging appliance letting its breath cool him while he studied its contents for something suitable for dinner. He knew exactly what was on the shelves and in the drawers but still he looked. It was as if he hoped for the surprise appearance of a forgotten steak or chicken breast. He followed this routine with the refrigerator often. It was the ritual of a man who was alone. He knew this also.

On the back deck Bosch drank the soda and ate a sandwich consisting of five-day-old bread and slices of meat from plastic packages. He wished he had potato chips to go with it because he would undoubtedly be hungry later after having only the sandwich for dinner.

He stood at the railing looking down at the Hollywood Freeway, near capacity now with the Monday-evening commute. He had gotten out of downtown just before the crest of the rush-hour wave had broken. He would have to guard against going overtime on the sessions with the police psychologist. They were scheduled for 3:30 P.M. on Mondays, Wednesdays and Fridays. Did Carmen Hinojos ever let a session go over? he wondered. Or was hers a nine-to-five mission?

From his vantage

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