it might be prudent to take a few precautions against that happy event. Mr Gaffney, the tables in yonder watering hole actually appear to be equipped with tablecloths - strange but true. I wonder if you'd get a couple? We might be wise to bind old Mr I've-Got-to-Get-to-Boston's hands behind him."
"Do you really have to do that?" Laurel asked quietly. "The man is unconscious, after all, and bleeding."
Nick pressed his makeshift napkin compress against Craig Toomy's headwound and looked up at her. "You're Laurel, right?"
"Right."
"Well, Laurel, let's not paint it fine. This man is a lunatic. I don't know if our current adventure did that to him or if he just growed that way, like Topsy, but I do know he's dangerous. He would have grabbed Dinah instead of Bethany if she had been closer. If we leave him untied, he might do just that next time."
Craig groaned and waved his hands feebly. Bob Jenkins stepped away from him the moment he began to move, even though the revolver was now safely tucked into the waistband of Brian Engle's pants, and Laurel did the same, pulling Dinah with her.
"Is anybody dead?" Dinah asked nervously. "No one is, are they?"
"No, honey."
"I should have heard him sooner, but I was listening to the man who sounds like a teacher."
"It's okay," Laurel said. "It turned out all right, Dinah." Then she looked out at the empty terminal and her own words mocked her. Nothing was all right here. Nothing at all.
Don returned with a red-and-white-checked tablecloth in each fist.
"Marvellous," Nick said. He took one of them and spun it quickly and expertly into a rope. He put the center of it in his mouth, clamping his teeth on it to keep it from unwinding, and used his hands to flip Craig over like a human omelette.
Craig cried out and his eyelids fluttered.
"Do you have to be so rough?" Laurel asked sharply.
Nick gazed at her for a moment, and she dropped her eyes at once. She could not help comparing Nick Hopewell's eyes with the eyes in the pictures which Darren Crosby had sent her. Widely spaced, clear eyes in a goodlooking - if unremarkable - face. But the eyes had also been rather unremarkable, hadn't they? And didn't Darren's eyes have something, perhaps even a great deal, to do with why she had made this trip in the first place? Hadn't she decided, after a great deal of close study, that they were the eyes of a man who would behave himself? A man who would back off if you told him to back off?
She had boarded Flight 29 telling herself that this was her great adventure, her one extravagant tango with romance - an impulsive transcontinental dash into the arms of the tall, dark stranger. But sometimes you found yourself in one of those tiresome situations where the truth could no longer be avoided, and Laurel reckoned the truth to be this: she had chosen Darren Crosby because his pictures and letters had told her he wasn't much different from the placid boys and men she had been dating ever since she was fifteen or so, boys and men who would learn quickly to wipe their feet on the mat before they came in on rainy nights, boys and men who would grab a towel and help with the dishes without being asked, boys and men who would let you go if you told them to do it in a sharp enough tone of voice.
Would she have been on Flight 29 tonight if the photos had shown Nick Hopewell's dark-blue eyes instead of Darren's mild brown ones? She didn't think so. She thought she would have written him a kind but rather impersonal note Thank you for your reply and your picture, Mr Hopewell, but I somehow don't think we would be right for each other - and gone on looking for a man like Darren. And, of course, she doubted very much if men like Mr Hopewell even read the lonely-hearts magazines, let alone placed ads in their personals columns. All the same, she was here with him now, in this weird situation.
Well, she had wanted to have an adventure, just one adventure, before middle-age settled in for keeps. Wasn't that true? Yes. And here she was, proving Tolkien right - she had stepped out of her own door last evening, just the same as always, and look where