“My crew is coming up,” she says, walking past me toward the elevator.
“Your crew?” I ask, puzzled. “Like your friends?”
“No, the Baller Bae production crew.”
“Not here.” I stand and cross over to stand in front of her at the elevator. “Bridget, if you even think about—”
The elevator opens and a group of people carting cameras and cords walk out.
“Where should we set up?” one of them asks Bridget.
“In hell,” I snap. “I hear it’s freezing over. You can re-load your shit and go back to VH1 or BET or wherever you came from.”
“You can’t do that, Kenan.” Bridget gasps. “This is my livelihood.”
“Your livelihood?” I ask incredulously. “I think you’re confusing this narcissistic exhibitionism with actual work. Ironically, it’s my work that even has them interested in you in the first place. Now tell them to go, or I will.”
“You’re not going to ruin this for me,” she says, her voice pitching higher, her face crinkled into a scowl.
“Who’s in charge?” I ignore my ex and raise my voice over the crew’s low hum of laughter and conversation. “Where’s the producer?”
No one steps forward right away.
“I said—”
“I heard you, Mr. Ross,” a woman says, stepping from behind a tall cameraman. “Is there a problem?”
“What’s your name?” I really want to ask her age because she looks about sixteen.
“I’m Lilian James,” she says calmly, “but everyone calls me LJ. Is there a problem?”
“There will be if you don’t get the hell out of here.”
“Sir, we—”"
“Don’t ‘sir’ me. Are you aware I have a court order stating my daughter and I are not to be seen on your show?”
“Yes, but Bridget said it would be fine for us to get footage of her entering and leaving counseling.”