an hour, or perhaps two hours: you will sponge the blood as I do when it returns: if he feels faint, you will put the glass of water on that stand to his lips, and your salts to his nose. You will not speak to him on any pretext – and – Richard, it will be at the peril of your life if you speak to her: open your lips – agitate yourself – and I’ll not answer for the consequences.’
Again the poor man groaned; he looked as if he dared not move; fear, either of death or of something else, appeared almost to paralyse him. Mr Rochester put the now bloody sponge into my hand, and I proceeded to use it as he had done.
He watched me a second, then saying, ‘Remember! – no conversation,’ he left the room. I experienced a strange feeling as the key grated in the lock,2 and the sound of his retreating step ceased to be heard.
Here then I was in the third story, fastened into one of its mystic cells; night around me; a pale and bloody spectacle under my eyes and hands; a murderess hardly separated from me by a single door: yes – that was appalling – the rest I could bear; but I shuddered at the thought of Grace Poole bursting out upon me.
I must keep to my post, however. I must watch this ghastly countenance – these blue, still lips forbidden to unclose – these eyes now shut, now opening, now wandering through the room, now fixing on me, and ever glazed with the dullness of horror. I must dip my hand again and again in the basin of blood and water, and wipe away the trickling gore. I must see the light of the unsnuffed candle wane on my employment; the shadows darken on the wrought, antique tapestry round me, and grow black under the hangings of the vast old bed, and quiver strangely over the doors of a great cabinet opposite – whose front, divided into twelve panels, bore, in grim design, the heads of the twelve apostles, each inclosed in its separate panel as in a frame; while above them at the top rose an ebon crucifix and a dying Christ.
According as the shifting obscurity and flickering gleam hovered here or glanced there, it was now the bearded physician, Luke, that bent his brow; now St John’s long hair that waved; and anon the devilish face of Judas, that grew out of the panel, and seemed gathering life and threatening a revelation of the arch-traitor3 – of Satan himself – in his subordinate’s form.
Amidst all this, I had to listen as well as watch: to listen for the movements of the wild beast or the fiend in yonder side den. But since Mr Rochester’s visit it seemed spellbound: all the night I heard but three sounds at three long intervals – a step creak, a momentary renewal of the snarling, canine noise, and a deep human groan.
Then my own thoughts worried me. What crime was this, that lived incarnate in this sequestered mansion, and could neither be expelled nor subdued by the owner? – what mystery, that broke out, now in fire and now in blood, at the deadest hours of night? What creature was it, that, masked in an ordinary woman’s face and shape, uttered the voice, now of a mocking demon, and anon of a carrion-seeking bird of prey?
And this man I bent over – this commonplace, quiet stranger – how had he become involved in the web of horror? and why had the Fury flown at him? What made him seek this quarter of the house at an untimely season, when he should have been asleep in bed? I had heard Mr Rochester assign him an apartment below – what brought him here! And why, now, was he so tame under the violence or treachery done him? Why did he so quietly submit to the concealment Mr Rochester enforced? Why did Mr Rochester enforce this concealment? His guest had been outraged, his own life on a former occasion had been hideously plotted against; and both attempts he smothered in secrecy and sank in oblivion! Lastly, I saw Mr Mason was submissive to Mr Rochester; that the impetuous will of the latter held complete sway over the inertness of the former: the few words which had passed between them assured me of this. It was evident that in their former intercourse, the passive disposition