I recognize the old herbwitch from our village hovering nearby. If I did not need to concentrate so hard on putting one foot in front of the other, I would ask her what she is doing here, but it is all I can do to stay upright and keep from falling on my face in the dirt.
As I step into the night, a sigh of relief escapes me. It is dark out, and darkness has always been my friend. A cart waits nearby. Touching me as little as possible, the hedge priest helps me into the back of it before hurrying around to the driver’s bench and climbing in. The priest glances over his shoulder at me, then averts his eyes as if he’s been burned. “There’s a blanket back there,” he mutters as he steers the nag out onto the cobbled lane. “Cover yourself.”
The unyielding wood of the cart presses painfully into my bruised bones, and the thin blanket scratches and reeks of donkey. Even so, I wish they’d brought a second one for padding. “Where are you taking me?”
“To the boat.”
A boat means water, and crossing water means I will be far from the reach of my father and Guillo and the Church. “Where is this boat taking me?” I ask, but the priest says nothing. Exhaustion overwhelms me. I do not have the strength to pluck answers from him like meager berries from a thorny bush. I lie down in the cart and give myself over to the horse’s jolting gait.
* * *
And so my journey across Brittany begins. I am smuggled like some forbidden cargo, hidden among turnips or in hay in the back of carts, awakened by furtive voices and fumbling hands as I am passed from hedge priest to herbwife, a hidden chain of those who live in accordance with the old saints and are determined to keep me from the Church. The hedge priests, with their awkward movements and musty, stale robes, are kind enough, but their fingers are unschooled in tenderness or compassion. It is the herbwitches I like most. Their chapped, raw hands are gentle as lamb’s wool, and the sharp, pungent smell of a hundred different herbs clings to them like a fragrant shadow. Often as not, they give me a tincture of poppy for my injuries, while the priests merely give me their sympathy, and some begrudgingly at that.
When I awake on what I reckon to be the fifth night of my journey, I smell the salty tang of the sea and remember the promise of a boat. I struggle to sit up, pleased to find my bruises pain me less and my ribs do not burn. We are passing through a small fishing village. I pull the blanket close against the chill and wonder what will happen next.
At the very edge of the village sits a stone church. It is to this that the latest hedge priest steers our cart and I am relieved to see the door bears the sacred anchor of Saint Mer, one of the old saints. The priest reins his horse to a stop. “Get out.”
I cannot tell if it is fatigue or disdain I hear in his voice, but either way, my journey is almost done, so I ignore it and clamber out of the cart, sure to keep the blanket clutched tight around me lest I offend his modesty.
Once he secures the horse, he leads me toward the beach, where a lone boat waits. The inky black ocean spreads out as far and wide as my eye can see, making the vessel seem very small.
An old sailor sits hunched in the prow. A shell bleached white as bone hangs from a cord at his neck, marking him as a worshiper of Saint Mer. I wonder what he thinks of being woken in the middle of the night and made to row strangers out into the dark sea.
The sailor’s faded blue eyes skim over me. He nods. “Climb in. We en’t got all night.” He thrusts an oar at me, and I grasp it to steady myself as I get into the boat.
The small vessel dips and rocks and for a moment I am afraid it will tip me into the icy water. But it rights itself and then the priest steps in, causing the hull to sink even lower.
The old sailor grunts, then returns the oar to its pin and begins rowing.
We reach the small island just as dawn pinkens the eastern horizon. It looks barren in the early, spare light. As we draw closer, I see a standing stone next to a church and realize we’ve come to one of the old places of worship.
Gravel crunches under the hull of the boat as the old sailor rows right up onto the beach. He jerks his head toward the stone fortress. “Get out then. The abbess of St. Mortain be expectin’ ye.”
Saint Mortain? The patron saint of death. A tremor of unease washes through me. I look at the priest, who averts his eyes, as if looking at me is too great a mortal temptation.
Clutching the blanket close around me, I climb awkwardly from the boat and step into the shallows. Torn between gratitude and annoyance, I curtsy slightly, careful to let the blanket slip from my shoulder for the merest of seconds.
It is enough. Satisfied at the priest’s gasp and the old sailor’s cluck of his tongue, I turn and slog through the cold water to the beach. In truth, I have never flashed so much as an ankle before, but I am sorely vexed at being treated like a temptress when all I feel is bruised and broken.
When I reach the patchy grass that grows between the rocks, I look back toward the boat, but it has already put out to sea. I turn and begin making my way to the convent, eager to see what those who worship Death want of me.
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ROBIN LAFEVERS is the New York Times best-selling author of the His Fair Assassin trilogy. While she has never trained as an assassin or joined a convent, she did attend Catholic school as a child, from which she is still recovering. She writes full-time from her home in the foothills of Southern California.