solidly, with a tan face and clean-cut hair. His clothes are expensive and stylish but not too stylish—a patterned blue Paul Smith shirt, dark jeans, and caramel-colored leather sneakers. I especially like the firm leanness of his body. Miho perks up immediately when she sees him, while Nami slumps even more over her shot glass. I keep my smile cool and distant.
“Hello,” I say.
“Hi,” he says. “You know, I’m very excited. It’s the first time I’m meeting Miho’s friends, even after all this time.” The owner brings a plastic stool and Hanbin gives it a small kick before sitting down on it. “This is some place,” he says, looking around. His energy and upbeat attitude seem incongruous with everyone else in this bar, who all look as if life has beaten them hard this week.
We make quick introductions—just names, nothing else, and he orders another round of soju.
“What did you work on today?” he asks Miho. He listens, engrossed, as she tells him about how she has spent all day painting glass.
I like how engaged he is in her story. I can’t remember the last time a man asked me about my day and then actually paid attention to the answer, forget finding it interesting. Nami is also watching the two of them out of the corner of her eye, and I can tell she is hanging on avidly—not to their words, but to how their bodies pivot toward each other as they talk.
“You know, my mom has a really good friend who is an artist and has a glassblowing studio in Paju,” he says to Miho. “I’ve been before—you would really love it. Why don’t we go next week and you can meet him and see his work? He’s so anxious to impress Mom, he’ll be happy to show you around,” he says.
“But what would your mother say?” she says, looking dismayed. “I wouldn’t want her to think I’m trying to take advantage of your family in any way.”
“It’s fine, I’ll just ask her assistant to arrange everything. It’ll be my thing. She knows I really liked it last time I was there.”
“Maybe,” says Miho in a worried voice. She yawns and the dark circles under her eyes turn darker as she rubs them.
“Look, you’re hungry,” says Hanbin. “You haven’t eaten anything, huh? I can tell.” He turns around and motions to the owner, who comes running over. “Hurry up on the food please,” he says loudly. The owner bows and runs back to the kitchen and returns shortly with the kimchijeon, which Hanbin cuts up for Miho with his chopsticks. Nami is rapt now, sucking on a dark red lollipop as she keeps staring.
“You don’t do things in moderation. You just shut down when you don’t eat like this. You can’t work if your body shuts down.” His voice is chiding and tender as he places more food on her plate. It’s clear that he likes taking this role with her.
He turns and says to me, “Don’t you think? She’s like that Snickers commercial.”
“I’m just jealous she can diet without even noticing she’s hungry,” I say flippantly, although I’m perfectly serious. He laughs and picks up his phone, texting for a minute.
“Sung and Woojin want to go to karaoke,” he says to Miho. “They’re near here so I’m telling them to meet us at Champion.”
Miho nods, still eating with dainty, ferocious bites.
“You guys are coming too, right?” Hanbin says to Nami and me, and we nod. This means free drinking. Little does he know what his bill will be, I think, but he’s the type to hand over his credit card without even looking. And Miho doesn’t even drink that much. What a waste.
* * *
—
AT KARAOKE, Hanbin’s friends join us and things get fun real fast. They are both yoohaksaeng—rich kids who studied in America for high school and college. I like yoohaksaeng because they tend to be more experimental with sexual positions because they’ve watched a lot of American porn. It is apparently very ridiculous and intense but often focuses on women’s pleasure, which is measured by how loud she